Blyh are a German black metal band and this is their second album.
Awake to Emptiness is 45 minutes of raw, melodic black metal, spread out over five lengthy tracks. Continue reading “Blyh – Awake to Emptiness (Review)”
Blyh are a German black metal band and this is their second album.
Awake to Emptiness is 45 minutes of raw, melodic black metal, spread out over five lengthy tracks. Continue reading “Blyh – Awake to Emptiness (Review)”
This is the debut album from Aethyrick, a Finnish black metal band.
Praxis features 39 minutes of occult black metal, and I have to say this is quite a captivating underground gem of an album. Continue reading “Aethyrick – Praxis (Review)”
Ondfødt are a Finnish black metal band and this is their second album.
We’ve met Ondfødt before on 2014’s Hexkonst, which I found to be quite an enjoyable blast of largely traditional rawness. Continue reading “Ondfødt – Dödsrikets Kallelse (Review)”
Barshasketh are a black metal band from New Zealand/the UK and this is their fourth album.
My past encounters with Barshasketh have always been very positive, (see their split with Void Ritual and split with Outre), but this is my first exposure to a full length from the band.
Well, I enjoyed the band’s previous work that I’ve heard, but this is something else. Continue reading “Barshasketh – Barshasketh (Review)”
Thron are a German melodic black metal band and this is their second album.
Thron play professionally-recorded black metal influenced by the second wave, with bands such as Dissection, Dimmu Borgir, Naglfar, Necrophobic, and Marduk worthy of mention as decent starting points for Abysmal. Continue reading “Thron – Abysmal (Review)”
This is the third album from Paths, a Canadian black metal band.
Paths is a one man project aided by a session drummer, (from Panopticon). Together they play Scandinavian-influenced atmospheric black metal. For fans of this kind of thing, I have to say that In Lands Thought Lost is definitely above the average, and should be sought out at the earliest opportunity. Continue reading “Paths – In Lands Thought Lost (Review)”
This is the debut album from Hungarian black metal band Hænesy.
Now this is the stuff. Katruzsa is a nature-inspired atmospheric black metal album with some post-black metal qualities. Underground and raw, with a sonic aesthetic that definitely pleases, this is textured black metal replete with affecting melodies and plenty of atmospheric depth. Continue reading “Hænesy – Katruzsa (Review)”
Vihamieli are a Finnish black metal band and this is their second album.
Hymns of Deity is the follow up to 2017’s Kuolevain Veri Uinuu Ikuisuuteen, which was an enjoyable trip into traditional second wave waters. Continue reading “Vihamieli – Hymns of Deity (Review)”
Kalaallit Nunaat and Au Revoir are both one man Italian black metal bands.
Kalaallit Nunaat’s side of the split lasts 21 minutes and is divided into two tracks. The music is a mix of raw aggression in the traditional Scandinavian second wave style, and Cascadian atmospheric majesty along the lines of Wolves in the Throne Room, in spirit at least. Continue reading “Kalaallit Nunaat/Au Revoir – Memories from Desolate Battlefields – Split (Review)”
Myrkvid are a French black metal band and this is their latest EP.
Myrkvid play classic, second-wave black metal with a rolling, grooving fury and energetic blasphemy. Continue reading “Myrkvid – Demons Are Inside (Review)”