This is the third album from UK sludge/post-metallers Conjurer.
Each Conjurer album so far has been a notable one. From their 2018 debut Mire, to 2022’s Páthos, the band have show an ability to craft quality heavy music, while also progressing their sound between releases. Unself contains 45 minutes of new music from this talented act, I have been very keen to hear it. So, what does it bring us? Continue reading “Conjurer – Unself (Review)”
Psychonaut are a Belgian post-metal band and this is their third album.
I first encountered Psychonaut on their 2021 split with Sâver, and I really liked what I heard. So, when Violate Consensus Reality came around a year later, I was hooked. With this firmly in mind, it’s with great anticipation that the 54 minutes of new material on World Maker is received. Continue reading “Psychonaut – World Maker (Review)”
This is the fourth album from Italian progressive doom/sludge metallers Void of Sleep.
It feels like an age has passed since 2020’s sterling record Metaphora, so it’s great that Void of Sleep grace us with their progressive doom/sludge metal once more. Containing 52 minutes of new material, The Abyss into Which We All Have to Stare is an album to spend some quality time with, unlocking its multitude of secrets. Continue reading “Void of Sleep – The Abyss into Which We All Have to Stare (Review)”
This is the third album from Swedish atmospheric death metal band An Abstract Illusion.
Now here’s a very highly anticipated album. The Sleeping City is An Abstract Illusion’s follow up to their highly acclaimed 2022 album Woe, which was so good it made it onto my year end list. Yes, expectations are high for this record, but there’s also trepidation too – how can An Abstract Illusion possibly meet the high standards they have now set for themselves? Continue reading “An Abstract Illusion – The Sleeping City (Review)”
This is the fifth album from Swiss post-hardcore/metal band Abraham.
Idsungwüssä is the 60-minute follow up to 2022’s Débris de Mondes Perdus. A mix of post-metal, hardcore, and sludge, Abraham’s new record is sure to find firm fans amongst devotees to bands like. Blessings, Coilguns, Converge, Cult of Luna, Inter Arma, Neurosis, The Ocean, Sumac, etc. Continue reading “Abraham – Idsungwüssä (Review)”
This is the eleventh album from Between the Buried and Me, a progressive metal band.
Every Between the Buried and Me release is An Important Event in my world. I’ve reviewed a handful, (Coma Ecliptic, Coma Ecliptic: Live, Automata I, Automata II), but nowhere their full discography. I’m very pleased to add one more to the pile now though, with The Blue Nowhere, which brings us 71 minutes of new material to obsess over. Continue reading “Between the Buried and Me – The Blue Nowhere (Review)”
This is the fifth album by UK progressive metal band Esoterica.
Ether Metal contains 48 minutes of contemporary, electronically enriched progressive metal/rock. The first time I came across Esoterica was at this year’s Mangata Festival – although I didn’t catch them live, they seemed like a band I wouldn’t mind checking out. My tolerance for this sort of music is quite low though compared to other styles, as most bands playing it I find are just bland and bad. So, do Esoterica have what it takes to be worth listening to? Continue reading “Esoterica – Ether Metal (Review)”
This is the fourth album from US metallic hardcore band Turian.
Blood Quantum Blues contains 38 minutes of music that mixes together punk, metal, and hardcore, with electronics and progressive elements thrown in for extra flavour and texture. Turian have produced an album that rages and snarls, but does so with skill and ability. Continue reading “Turian – Blood Quantum Blues (Review)”
Grayceon are a progressive metal band from the US and this is their sixth album.
With a striking album cover and containing a member of the fantastic Brume, (also ex-Ludicra), how could I let this one pass me by? Containing a colossal 82 minutes of music, Grayceon are not without ambition, but thankfully have the skill and talent to pull off an endeavour such as Then the Darkness. Continue reading “Grayceon – Then the Darkness (Review)”
Hemelbestormer are a post-metal band from Belgium and this is their fourth album.
I rate Hemelbestormer highly, and you should too. 2016’s Aether, 2018’s A Ring of Blue Light, and 2021’s Collide & Merge are all massive slabs of instrumental post-metal/doom, and I heartily recommend them. The Radiant Veil is cut from the same cloth, providing the refined listener with 66 minutes of expressive and atmospheric music to explore. Continue reading “Hemelbestormer – The Radiant Veil (Review)”
Wonderbox Metal 