This is the third album from The River, a doom metal band from the UK.
Featuring a member 40 Watt Sun/ex-member of Warning, The River play traditional doom metal bolstered by a skilful interpretation of the style. Continue reading “The River – Vessels into White Tides (Review)”
Another year gone by, where does all the time go? Listening to metal I suppose, that’s where. Every year brings more metal delights, so I invite you to partake of 30 of my favourites from the rather metallically fertile 2019. Let me know which ones are your favourites to! Continue reading “Wonderbox Metal End of Year List – Best Metal of 2019”
Rorcal are a Swiss blackened post-metal band and this is their fifth album.
Rorcal are an ever-shifting beast, producing a wealth of material over their career spanning doom, drone, post-metal, and black metal. After the furious blackened assault of κρέων (Creon), Muladona is a different proposition. Continue reading “Rorcal – Muladona (Review)”
This is the third album from Timeworn, a Norwegian sludge metal band.
This is riff-friendly sludge metal, with both a hardcore influence and an atmospheric one. There’s a mix of the harsh and the beautiful here, which is weighted towards the energetic former, but the latter is still an important part of the band’s sound too. Continue reading “Timeworn – Leave the Soul for Now (Review)”
Façade are a doom band from the Netherlands and this is their second album.
This is the follow up to 2017’s Loathe, featuring 54 minutes of new material. These songs are generally longer and even more rich in substance and delivery than those of the debut, which is no mean feat. It sounds as if a lot of work has gone into The Eternal Dance. Continue reading “Façade – The Eternal Dance (Review)”
Moanaa are a Polish post-metal band, and this is their latest EP.
Both 2014’s Descent and 2016’s Passage made great impressions, so when a new 26-minute EP appeared, it was a time of rejoicing. This EP contains three tracks – two original cuts and a Placebo cover, the latter of which features a guest vocalist. Continue reading “Moanaa – Torches (Review)”
Wells Valley are a Portuguese Post-Metal band. This is their second album.
Following up 2015’s Matter as Regent and 2017’s The Orphic, Wells Valley have produced 49 minutes of new music for us to enjoy. The band sound more cohesive and developed than ever on their new release. Continue reading “Wells Valley – Reconcile the Antinomy (Review)”
This is the second album from Polish post-black metallers Rosk.
One of the absolute highlights of 2017 was Rosk’s superb debut album Miasma. It’s now 2019, and I was thrilled to receive Rosk’s latest album Remnants. However, this soon turned to trepidation, as I discovered that Remnants is not another post-black metal masterpiece. Rather, it’s an acoustic post-folk one, and my initial Continue reading “Rosk – Remnants (Review)”
Although not as jam-packed as September, October still had its fair share of Grade A metal releases. Check out my top picks below – Continue reading “Monthly Overview – the Best of October 2019”
Lambs are an Italian post-metal/sludge/hardcore band and this is their debut album.
It’s been a while since I last caught up with Lambs, but it seems that time has been good to them. They now operate in more atmospheric waters than they used to, despite a large portion of their sound still being fuelled by rage and hatred. Continue reading “Lambs – Malice (Review)”
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