Maou Mindu are a deathgrind band from Canada and this is their debut EP.
Gotta love deathgrind. Taking the direct, lethal assault of grindcore and combining it with the extra depth that death metal can allow, it frequently marries the two together in strong and sexy ways. In the case of Maou Mindu, the results are very sexy indeed. Continue reading “Maou Mindu – Grind Against Humanity (Review)”
This is the second album from Greek metal band Kin Beneath Chorus.
This is modern death metal with both metalcore and deathcore influences. Add to this a melodic delivery and atmospheric elements, and you have an album that succeeds in having a firm emotive base to its heart of aggression. Continue reading “Kin Beneath Chorus – Invia (Review)”
The Voynich Code are a Portugese modern death metal/deathcore band and this is their debut album.
Okay, so if you’re a fan of Whitechapel, Thy Art is Murder, Fit for an Autopsy, Aversions Crown, etc. then you should definitely give this a spin. Continue reading “The Voynich Code – Aqua Vitae (Review)”
Hate are a Polish blackened death metal band and this is their tenth album.
Tremendum’s music is a mix of the old-school and the new. The former provides a purity of focus and delivery, while the latter provides polish and a sense of renewed dynamic energy. Continue reading “Hate – Tremendum (Review)”
Integral are an Italian death metal/deathcore band and this is their debut album.
This is one for fans of modern aggression that mixes technical, brutal, and melodic death metal with elements of deathcore. This would be enough in its own right – but what’s this? We also get Continue reading “Integral – Resilience (Review)”
Cut Up are a death metal band from Sweden and this is their second album.
This is the kind of death metal album that just steamrolls all over you as soon as you press play. It’s a relentlessly savage monster throughout the playing time, showing no let up in its bloody commitment to knock you over and flatten you to a mushy corpse. Continue reading “Cut Up – Wherever They May Rot (Review)”
This is the second album from Reaping Asmodeia, a technical death metal band from the US.
I find it so easy to like this kind of thing. It’s hyper-modern, with withering technicality, hard-as-nails brutality and enough progressive depth to keep things interesting…Reaping Asmodeia have delivered a monster of an album. Continue reading “Reaping Asmodeia – Impuritize (Review)”
This is the second album from French death metal band Hybrid Sheep.
After the promise shown on 2014’s Free from the Clutches of Gods, Hybrid Sheep have now returned with another instalment of their modern death metal, and have showed some nice progress since their first opening release. Continue reading “Hybrid Sheep – Hail to the Beast (Review)”
Aversions Crown are a death metal band from Australia. This is their second album.
This is modern, sophisticated death metal with haunting atmospherics that accompany the relentless brutality. With a science fiction theme that provides an overarching story for the album, Aversions Crown spend 50 minutes telling a brutal and engaging tale. Continue reading “Aversions Crown – Xenocide (Review)”
This is the third album from German death metal band Deserted Fear.
I thoroughly enjoyed their second album Kingdom of Worms; it was a really solid album of death metal by a band that remembered the importance of actual songs.
Kingdom of Worms also effectively Continue reading “Deserted Fear – Dead Shores Rising (Review)”
Wonderbox Metal 