No Heroes – Brood Eternal (Review)

No Heroes - Brood EternalThis is the debut album from US grindcore band No Heroes.

Now here’s an interesting release. Brood Eternal was created over the course of a decade, and mixes together elements of black metal, sludge, hardcore, grindcore, and noise. Yep, No Heroes, (who feature a member of Ashbringer), play a grim hybrid style, and I frequently end up really liking bands that throw all kinds of influences like this into a melting pot to end up with something really dark and nasty. Let’s have a taste then. Continue reading “No Heroes – Brood Eternal (Review)”

Walking Corpse – Our Hands, Your Throat (Review)

Walking Corpse - Our Hands, Your ThroatThis is the second album from Swedish grindcore band Walking Corpse.

A grindcore band named, (presumably at least), after a Brutal Truth song? Count me in. I instantly knew I had to check this out. Good grind is hard to come by, so I crossed by fingers and dived right in. What did I find? Continue reading “Walking Corpse – Our Hands, Your Throat (Review)”

Kalloused – Damn You Believer (Review)

KallousedThis is the debut release from Kalloused, a UK blackened sludge/doom band.

Kalloused have a powerfully heavy sound that they still manage to insert nuance into when the need arises. This release features a plethora of textured riffs that manage to show a certain degree of subtlety and finesse even when they’re smashing your skull in.

The band have a black metal element Continue reading “Kalloused – Damn You Believer (Review)”

Intensive Square – Anything That Moves (Review)

Intensive SquareIntensive Square are a Technical Metal band from the UK. This is their début album.

This is Technical Metal played with a love of both complexity and crushing rhythms. There’s a Hardcore side to the band that’s combined with a firm Metal base, resulting an album that combines elements of such diverse bands as Botch, Converge, Johnny Truant, Meshuggah, Circle Takes the Square, Pyrrhon, Today Is the Day, Scarlet, Frontierer, Sikth, Periphery and many others.

Featuring a splenetic vocalist who has a vicious screamed shout, these songs provide a satisfying ear-bashing while also catering to those who like a bit of technicality and complexity with their beatings. It doesn’t go too far down the complexity route though, as there’s plenty of big rhythms and grooves provided to get the listener moving and jerking around the place in strange movements.

The album lasts 45 minutes and provides a meaty feast for anyone into this kind of thing.

Give them a listen.