This is the second album from Finnish death metal band Proscription.
Desolate Divine contains 44 minutes of blackened death metal. This, right here, is the good stuff. Proscription landed on my radar with 2020’s Conduit, (which I could have swore I’d reviewed, but apparently not), but Desolate Divine has destroyed my expectations. Yep, I like this.. Continue reading “Proscription – Desolate Divine (Review)”
This is the second album from US death metal band Haxprocess.
Beyond What Eyes Can See contains 45 minutes of music divided into four epic songs. Haxprocess play progressive death metal, although that simple appellation doesn’t really due justice to what you’ll discover here. This record is a real beast. Continue reading “Haxprocess – Beyond What Eyes Can See (Review)”
This is the ninth album by US death metallers Drawn and Quartered.
Drawn and Quartered are a very good death metal band, with a history of strong releases. They are the kind of band that can take similar components that are used so well by acts such as Immolation and Incantation, yet manage to fuse these into something that has a personality of its own. At this point in their career Drawn and Quartered have more than shown their talent and longevity in the death metal game, so Lord of Two Horns is an eagerly anticipated release. Continue reading “Drawn and Quartered – Lord of Two Horns (Review)”
This is the fourth album from Brazilian death metallers Escarnium.
Inexorable Entropy contains 31 minutes of ferocious death metal brutality. Escarnium’s furious assault is a satisfying and enjoyable one. Continue reading “Escarnium – Inexorable Entropy (Review)”
This is the third album from US death metallers Chaos Inception.
Wow, I did not see this coming. 2012’s The Abrogation stood out with its quality, and I’ve periodically wondered over the years if we’d ever see another from Chaos Inception. I had long assumed not, but here it is – unheralded, and unexpected. Can Chaos Inception stand up to scrutiny in 2025? Continue reading “Chaos Inception – Vengeance Evangel (Review)”
This is the third album from Phrenelith, a death metal band from Denmark.
Following on from 2021’s Chimaera comes the 39-minute monstrosity Ashen Womb. This is absolutely hideous stuff, from a band that apparently just keep on improving. Phrenelith have unleashed something truly malefic here. Continue reading “Phrenelith – Ashen Womb (Review)”
This is the debut album from Australian death metallers Sarcophagum.
Essentially a side band of the gloriously nasty Golgothan Remains, (three out of four members have links to the band), Sarcophagum also boast the talents of the drummer of the mighty Ashen Horde, (also current/ex-member of Blade of Horus, Decrepid, Evilyn, Norse, Somnium Nox, Virulent Depravity, and more). Suffice to say, I knew I had to check this out. Continue reading “Sarcophagum – The Grand Arc of Madness (Review)”
This is the second album from French death metallers Ad Vitam Infernal.
Le Ballet des Anges contains 33 minutes of old-school death metal brutality. If you like bands such as Morbid Angel, Immolation, Hate Eternal, and Deicide, then there’s a good chance you’ll like what Ad Vitam Infernal unleash on their new record. Continue reading “Ad Vitam Infernal – Le Ballet des Anges (Review)”
This is the debut album from US grindcore band Earthburner.
Brought to us by members of The Atlas Moth, Broken Hope, Canyon of the Skull, Gloryhole Guillotine, and Sanguisugabogg, (and featuring guests from Immolation and Napalm Death), Earthburner deliver a fearsome deathgrind assault. Permanent Dawn is 21 minutes of grinding aggression that unexpectedly culminates in a Corrosion of Conformity cover. Continue reading “Earthburner – Permanent Dawn (Review)”
This is the latest EP from US death metallers Father Befouled.
I last caught up with Father Befouled on 2017’s Desolate Gods. Since then the band have released an EP, a live album, a split, and another album in 2022 called Crowned in Veneficium, none of which I heard at the time, unfortunately. This streak of missed opportunities to let the band crush me with their blasphemous brand of death metal ends now, with the 26-minute Immaculate Pain. Continue reading “Father Befouled – Immaculate Pain (Review)”
Wonderbox Metal 