Brond are a Bulgarian rock band and this is their debut album.
Brond’s music mixes riff-focused modern rock and post-hardcore/rock, with progressive, stoner, and noise/math rock tendencies. Wow. Now there’s a description. Delivering eight tracks across almost 44 minutes of music, Graveyard Campfire is a well-realised and enjoyable release, despite my mangling together of various subgenres in an attempt to loosely categorise it. Continue reading “Brond – Graveyard Campfire (Review)”
This is the fourth album from US black metallers Wolvhammer.
This is the much-awaited follow-up to 2014’s Clawing into Black Sun, which was one of my favourite releases of that year. To say I’ve been looking forward to this album is an understatement. Continue reading “Wolvhammer – The Monuments of Ash & Bone (Review)”
Axia are a grindcore band from Portugal, and this is their debut album.
Okay, so rarely has a band’s album title been so aptly named. Axia play grind that just pulverises and destroys. Continue reading “Axia – Pulverizer (Review)”
Svalbard are a crust/hardcore band from the UK and this is their second album.
It’s Hard to Have Hope is the sound of crust/hardcore bite and metallic aggression coming together to create 38 minutes of passionate music with a message. Continue reading “Svalbard – It’s Hard to Have Hope (Review)”
Body Void are a doom band from the US and this is their second album.
I love bands that play horrible, nihilistic, pitch-black doom/sludge, and Body Void are my latest discovery in this vein. If you’re a fan of bands such as Primitive Man, Khanate, Bongripper, CHRCH, and Keeper, for example, then this is very definitely for you. Continue reading “Body Void – I Live Inside a Burning House (Review)”
Death Engine are a French hardcore band and this is their second album.
I like Death Engine. Like, a lot. Mud was a massively enjoyable album of multifaceted, nuanced hardcore, showing a breadth of delivery and depth of substance that’s extremely rare to encounter outside of the mighty Converge. This should not be taken to mean that Death Engine sound like Converge, however. Continue reading “Death Engine – Place Noire (Review)”
Whoresnation are a grindcore band from France and this is their second album.
Featuring 20 tracks in 20 minutes, you know this is going to be a savage listen. As soon as you press play, the onslaught begins. Continue reading “Whoresnation – Mephitism (Review)”
This is the latest EP from The Noble, a hardcore band from the US.
I don’t often get to listen to much belligerent hardcore these days, so it’s great when I cross paths with something as heavy and uncompromising as Abolitionism. Continue reading “The Noble – Abolitionism (Review)”
Toothless are a hardcore/metalcore band from the US and this is their latest EP.
The press blurb describes Red as being influenced by bands like Norma Jean, The Chariot, and Every Time I Die, and I can see that; this is of that same breed of chaotic, barbed metal/hard/noise/mathcore. If you like those aforementioned bands, then you should get on very well with Toothless. Continue reading “Toothless – Red (Review)”
Wolf King are a blackened hardcore band from the US and this is their debut album.
Ahh, this is precisely the kind of adrenaline shot you need when…well, whenever really. With the dark, invigorating energy that comes off this thing in waves you could power one of the cities of Hell, I’m sure. Continue reading “Wolf King – Loyal to the Soil (Review)”
Wonderbox Metal 