In Mourning – The Immortal (Review)

In Mourning - The ImmortalThis is the seventh album from Swedish death metal band In Mourning.

In Mourning play melodic death metal with a progressive edge. With a duration of 47 minutes, The Immortal paints a rich canvas that captivates with its emotive depth and melodic colour. Continue reading “In Mourning – The Immortal (Review)”

Cancer – Inverted World (Review)

Cancer - Inverted WorldCancer are a UK death metal band and this is their seventh album.

As far as 90s death metal bands go, Cancer are severely underrated. When they returned in 2018 with Shadow Gripped they returned strong, and I actually can’t believe it was so long ago that it came out and that I saw them at that year’s Damnation Festival. Time really does fly. Anyway, Cancer have now returned with a new lineup, (including members of Dissocia, Eternal Storm, and Wormed), and the 46-minute Inverted World. Continue reading “Cancer – Inverted World (Review)”

Dissocia – To Lift the Veil (Review)

Dissocia - To Lift the VeilDissocia are a Spanish progressive metal band and this is their debut album.

Brought to us by current/ex-members of Aposento, Bizarre, Cancer, Eternal Storm, and Wormed, Dissocia play modern progressive metal, with elements of death metal incorporated into its cinematic whole. Across 41 minutes, To Lift the Veil makes its intentions known in no uncertain terms, and has an impact. Continue reading “Dissocia – To Lift the Veil (Review)”

Selbst – Despondency Chord Progressions (Review)

Selbst - Despondency Chord ProgressionsThis is the third album from solo black metal act Selbst, originally from Venezuela, and now Chile.

Following on from 2020’s Relatos de Angustia, Despondency Chord Progressions contains 44 minutes of new material. The artist behind Selbst, (also in Animus Mortis), is aided on this release by the drummer of Aversio Humanitatis/Eternal Storm, and has created something quite special. Continue reading “Selbst – Despondency Chord Progressions (Review)”

Eternal Storm – A Giant Bound to Fall (Review)

Eternal Storm - A Giant Bound to FallThis is the second album from Spanish death metal band Eternal Storm.

A Giant Bound to Fall is a much anticipated album in the land of progressive death metal. 2019’s Come the Tide was a very well-regarded album, so five years later, what have the Eternal Storm of 2024 delivered to us? Continue reading “Eternal Storm – A Giant Bound to Fall (Review)”

Eternal Storm – Come the Tide (Review)

Eternal Storm - Come the TideEternal Storm are a melodic death metal band from Spain and this is their debut album.

The band’s first release in 2013 – From the Ashes – showed a lot of promise, and they then followed this up in 2014 with a split that contributed a single track, showing even more promise. And then…nothing. Fast forward to 2019, however, and we now get an imposing 59 minutes of new material. The band have been busy, it seems. Continue reading “Eternal Storm – Come the Tide (Review)”

Eternal Storm – Elemental Nightmares V – Split with Kaos Vortex, Will of the Ancients and Stortregn (Review)

Eternal StormEternal Storm are from Spain and this is their latest release. They play Melodic Death Metal.

I enjoyed their début EP, so was looking forward to hearing this new track.

The song starts out fast with a slight Blackened feel to the riffs. Melodic leads soon break out before the track has a mellow moment. I’m reminded of bands like Dark Tranquillity, Insomnium, In Flames, At the Gates, Opeth, etc.

The song is well recorded and the band can clearly play well. The main solo is played like liquid and the musicianship in general is of a high standard.

Vocally we get a mix of deep growls and higher screams, sometimes at the same time. There’s also a guest spot from the singer of Valtari to spice things up.

The song has a good feel to it and does pretty much everything you would want a Melodic Death Metal song to do. The band mix aggression and lighter parts well, and I particularly enjoy the slower end section after the guitar solo, where it initially relaxes before building up in intensity with a mournful lead just under the surface.

This bodes well for a future début album. Bring it on!