Nazghor are a Swedish black metal band and this is their eighth album.
Nazghor play old-school melodic black metal that drips with second wave darkness. On the 40-minute A World Ablaze, Nazghor capably showcase why their black metal is a cut above the norm. Get ready to immerse yourself in Nazghor’s fiery world. Continue reading “Nazghor – A World Ablaze (Review)”
This is the fourth album from UK black metal band Sidious.
From 2014’s symphonic blackened death metal Revealed in Profane Splendour, to 2019’s reinvention as the raw black metal darkness of Temporal, and then 2022’s slice of contemporary blackened might Blackest Insurrection, Sidious always put out something I want to listen to. Each album so far has been better than the last too. Can Malefic Necropolis continue to follow this upward trend? Continue reading “Sidious – Malefic Necropolis (Review)”
This is the third album from Fuath, a one-man UK black metal band.
I enjoyed 2020’s II, so the appearance of III is a most welcome sight. Brought to us by the artist behind Saor, this is old-school black metal with an atmospheric focus. III contains four songs and clocks in at 43 minutes in total duration. Continue reading “Fuath – III (Review)”
This is the fourth album from US solo black metal band Lamp of Murmuur.
The Dreaming Prince in Ecstasy is the follow up to 2023’s well-received Saturnian Bloodstorm. The latter was a record that only improved over time, and I thoroughly enjoyed seeing songs from it, (and other releases), performed live when I saw Lamp of Murmuur at 2024’s Fortress Festival. All of this is to say, I’ve been looking forward to this new record. Continue reading “Lamp of Murmuur – The Dreaming Prince in Ecstasy (Review)”
This is the fourth album from Danish solo black metal band Afsky.
If you aren’t familiar with Afsky, make sure you also check out 2018’s Sorg, 2020’s Ofte Jeg Drømmer Mig Død, and 2023’s Om Hundrede År. None will disappoint. Which leads us to Fællesskab, and its 45 minutes of new material. Can the artist behind Afsky maintain his winning streak of quality black metal albums? Continue reading “Afsky – Fællesskab (Review)”
This is the debut album from black metal band Achathras.
A mysterious entity, formed by veterans of the scene apparently, Achathras certainly know their stuff. A Darkness of the Ancient Past contains 43 minutes of classic 90s black metal, and it’s pretty damn good. Continue reading “Achathras – A Darkness of the Ancient Past (Review)”
This is the third album from Finnish black metallers Sarastus.
Agony Eternal contains 42 minutes of material, and is brought to us by current/ex-members of Iron Harvest and Order of Nosferat. Sarastus unleash their classic black metal might in no uncertain terms across these nine songs. It’s Finnish melodic black metal, played with cold fury and a fiery heart. Continue reading “Sarastus – Agony Eternal (Review)”
This is the third album from US black metal solo act Blackbraid.
Following on from 2022’s Blackbraid I and 2023’s Blackbraid II, Blackbraid III contains 52 minutes of music, (including a Lord Belial cover), and continues to meet the benchmark of high quality black metal that its predecessors set. Continue reading “Blackbraid – Blackbraid III (Review)”
This is the second album from US black metallers Azathoth’s Dream.
Solitary Forest Necromancy contains 36 minutes of 90s synth-heavy atmospheric black metal. If the classic, atmosphere-rich blackend style is to your taste, then this is for you. Me? I really like this. Continue reading “Azathoth’s Dream – Solitary Forest Necromancy (Review)”
Vintras are a UK black metal band and this is their debut album.
Here’s a tasty blackened treat from earlier in the year that you really need in your life. Brought to us by members of Ageless Summoning, Ashen Horde, Evilyn, Norse, Of Spire and Throne, Sluagh, Somnium Nox, and Virulent Depravity, I couldn’t help but expect good things from Vintras. And believe me, Timescarred does not disappoint. Continue reading “Vintras – Timescarred (Review)”
Wonderbox Metal 