This is the sixth album from Polish black metallers In Twilight’s Embrace.
Featuring current and ex-members of Bloodthirst and Blaze of Perdition, In Twilight’s Embrace offer up 48 minutes of blackened darkness on Lifeblood. Continue reading “In Twilight’s Embrace – Lifeblood (Review)”
This is the fourth album from Swiss black metallers Aara, (who feature members of Modern Rites and Porta Nigra).
Following hot on the heels of last year’s Triade I: Eos comes Triade II: Hemera, which gives us 42 minutes of new material. Aara play a hybrid form of black metal that combines the atmospheric and the melodic styles into their own brand of scathing darkness. Continue reading “Aara – Triade II: Hemera (Review)”
This is the second album from UK black metal act Ante-Inferno.
Ante-Inferno play atmospheric black metal, and on Antediluvian Dreamscapes they deliver 43 minutes of contemporary blackened darkness. Continue reading “Ante-Inferno – Antediluvian Dreamscapes (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
This edition of this column is split between label Satanath Records and partner label Grimm Distribution. Both have released some fine records over the years, so I thought it as good a time as any to shed some light in their particular corner of the underground. Continue reading “Label Roundup: Satanath Records and Grimm Distribution – Atra Haeresis, Ukronakh, Veldraveth, and Wintaar (Reviews)”
Icare are a post-black metal band from Switzerland and this is their second album.
So, here’s one that intrigued me form the start with its unusual album artwork. But wait, there’s more to why this grabbed my attention; this is an album that the promo blurb describes as a mix of black-metal, post-metal, and grindcore. It also recommends Charogne for fans of Wake, Calligram, Cult of Luna, and Ulcerate. More and more intriguing, thought I. And then, upon discovery that the album consists of one single 43-minute track, I was sold, and knew I had to check out what Icare have to offer. Continue reading “Icare – Charogne (Review)”
This is the debut album from US black metal band Tómarúm.
Featuring a member of The Ritual Aura, and session members from Inferi and Virvum, Ash in Realms of Stone Icons contains 60 minutes of progressive black/death metal. Continue reading “Tómarúm – Ash in Realms of Stone Icons (Review)”
This is the debut album from Freja, an atmospheric black metal band from the Netherlands.
Featuring a member of Laster, Tides contains 39 minutes of ethereal atmospheric black metal.
The music is layered with emotive Continue reading “Freja – Tides (Review)”
This is the debut album from Notturno, an Italian black metal band.
Featuring the vocalist of Eyelessight, Notturno play a mix of depressive and atmospheric black metal that also contains elements of doom. There are three epic-length songs on Obsessions, delivering 37 minutes of material in total. Continue reading “Notturno – Obsessions (Review)”
Marrasmieli are a black metal band from Finland and this is their second album.
I enjoyed 2020’s Between Land and Sky a great deal, which made Martaiden Mailta one I was definitely looking forward to. Marrasmieli play atmospheric black metal with a clear folk influence, but they balance this against a heart of pure blackened darkness. Continue reading “Marrasmieli – Martaiden Mailta (Review)”
Tome of the Unreplenished are a black metal band from Cyprus and this is their second album.
Containing current and ex-members of bands such as Code, Macabre Omen, and Lvcifyre, Earthbound is a 47-minute atmospheric black metal album that may not be quite what you were expecting. Continue reading “Tome of the Unreplenished – Earthbound (Review)”
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