This is the fifth album from US doom band Morne.
Engraved with Pain combines elements of doom, sludge, post-metal, and crust, to create a 41-minute album of bleak emotion and textured heaviness. Continue reading “Morne – Engraved with Pain (Review)”
This is the fifth album from US doom band Morne.
Engraved with Pain combines elements of doom, sludge, post-metal, and crust, to create a 41-minute album of bleak emotion and textured heaviness. Continue reading “Morne – Engraved with Pain (Review)”
This is the third album from Xoth, a death metal band from the US.
Exogalactic can be thought of as a sci-fi-themed tech death album that’s spliced with black and thrash metal elements. Across 39 minutes Xoth impress with their exuberant delivery, especially as it’s backed up by some serious musical chops. Continue reading “Xoth – Exogalactic (Review)”
This is the third album from German death metal band Carnal Tomb.
Embalmed in Decay features 39 minutes of death metal brutality. Carnal Tomb have produced a collection of death metal songs that are well-crafted and demonstrate a keen understanding of the style. Continue reading “Carnal Tomb – Embalmed in Decay (Review)”
This is the fourth album from Belgian post-metal band Briqueville.
IIII contains 39 minutes of dark, enigmatic music. Briqueville’s style is deeply atmospheric, and IIII is the sort of album that will drag you into the darkness as it hypnotises with its shifting walls of rich mood. Continue reading “Briqueville – IIII (Review)”
This is the ninth album form legendary US death metallers Suffocation.
Hymns from the Apocrypha contains 41 minutes of brutality; eight new songs and a rerecording of Ignorant Deprivation, (featuring original Suffocation singer Frank Mullen), from 1993’s Breeding the Spawn. Continue reading “Suffocation – Hymns from the Apocrypha (Review)”
This is the third album from Belgian death metallers Carnation.
Carnation made a mark with 2018’s Chapel of Abhorrence and 2020’s Where Death Lies, so checking out what Cursed Mortality had to offer was mandatory. It seems like each Carnation album gets tighter and more refined, and Cursed Mortality is their most streamlined album yet – eight songs in a lean 35 minutes. Continue reading “Carnation – Cursed Mortality (Review)”
This is the second album from US metalcore band Dying Wish.
2021’s Fragments of a Bitter Memory was a solid slab of 00s-style metalcore, so Symptoms of Survival is one that I know I wanted to check out. Boasting a lean, mean 32 minutes of new material, in what form do we find Dying Wish’s 2023 offering? Continue reading “Dying Wish – Symptoms of Survival (Review)”
Closet Witch are a grindcore band from the US and this is their second album.
Sometimes, you just need to GRIIIIIINNNND. But not just any kind of grind; no, sometimes you need to grind and burn with the sort of visceral, idiosyncratic grind that leaves scars. For times like that, you have a band like Closet Witch. Continue reading “Closet Witch – Chiaroscuro (Review)”
This is the third album from French black metallers Pénitence Onirique.
Following on from 2016’s V.I.T.R.I.O.L. and 2019’s Vestige comes Nature Morte; 46 minutes of glorious celestial violence and deep immersive feeling. Oh my, this is a good one. Continue reading “Pénitence Onirique – Nature Morte (Review)”
This is the sixth album from US doom band Vanishing Kids.
Miracle of Death offers up 42 minutes of luscious Gothic doom, sprinkled with psychedelia, shoegaze, and oceans of atmosphere. It’s an absorbing listen, one that showcases the style and personality of Vanishing Kids in the best of lights. Continue reading “Vanishing Kids – Miracle of Death (Review)”