Dorylus are a metal band from the UK. This is their debut EP.
Dorylus play groove metal influenced by all of the usual suspects of the style, (Lamb of God, Pantera, etc.).
For a first release this is a well-realised 21 minutes of aural Continue reading “Dorylus – The Rapture (Review)”
This is the second album from Somnus Aeternus, a doom metal band from the Czech Republic.
Featuring elements of post-metal, doom/death, progressive metal and black metal, Somnus Aeternus provide an expansive 53 minutes of keyboard-enhanced doom for your delectation.
The vocals mainly Continue reading “Somnus Aeternus – Exulansis (Review)”
Brutally Deceased are from the Czech Republic and play death metal, this is their third album.
The band features members and ex-members of Heaving Earth and Jig-Ai, it seems. I really, really enjoyed the band’s debut album, Dead Lovers’ Guide, but missed their second, so on this new release it’s way overdue for me to get reacquainted with the band. Continue reading “Brutally Deceased – Satanic Corpse (Review)”
Forlet Sires are a Swiss post-black metal band. This is their debut album.
Using black metal as a base for their dark explorations, Forlet Sires create heavy and atmospheric music that contains aspects of post-hardcore and doom in their sound.
Forlet Sires deal in raw blackened atmosphere. Continue reading “Forlet Sires – Journey Towards Ruin (Review)”
Mercyless are a French death metal band and this is their sixth album.
This is a band that have been around for quite some time at this point, and you’d better believe they know a thing or two about their killing art.
Last year’s split with Crusher was a solid example of their riff-led, ferocious style, and acted as somewhat of a taster for this new album. Continue reading “Mercyless – Pathetic Divinity (Review)”
This is a split between black metallers Minenwerfer from the US and Ukrainian blackened death/doom band 1914.
First up we have Minenwerfer, with 21 minutes of fast and barbaric black metal.
Their side of the split contains four tracks; 3 originals and a re-recording of a song off their debut demo. Continue reading “Minenwerfer/1914 – Ich hatt einen Kameraden – Split (Review)”
This is the debut album of Italian symphonic metal band Oniricide.
Oniricide ostensibly play Nightwish-inspired symphonic metal, but there’s more than just this going on here. The music here has a nice, earthy feel to it that reminds me of some doom metal bands as much as symphonic/melodic ones.
The Nightwish influence is only a starting point, as Continue reading “Oniricide – Revenge of Souls (Review)”
Hyrye play atmospheric black metal and come from the UK. This is their debut album.
Featuring harsh black metal that’s born out of the early atmospheric style, it also has some progressive and folk influences that it welcomes into its wind-swept embrace.
Over 66 minutes the band paint dark pictures through extremity Continue reading “Hryre – From Mortality to Infinity (Review)”
This is the debut album by Canadian progressive metal band Fractal Cypher.
I confess, I was drawn to this album by the cover artwork, which is the reason I decided to listen to it. Not that there’s anything wrong with that, but in today’s digital age it’s worth noting that album artwork is still important, at least in my eyes.
So what of the music? Well, Fractal Cypher play modern progressive metal with ample keyboard enhancements and a Continue reading “Fractal Cypher – The Human Paradox (Review)”
Hailing from The Netherlands, this is the debut EP from this death metal band.
This is a timeless brand of death metal that has elements from several different eras in its makeup. The songs have a good degree of catchiness and hooks, and this is juxtaposed against the raw brutality that the band also bring to the melting pot of influences that they clearly have.
The singer has an absolutely brutal voice that’s all guttural Continue reading “Sisters of Suffocation – Brutal Queen (Review)”
Wonderbox Metal 