This is the fourth album from Solium Fatalis, a US death metal band.
Here we have 43 minutes of tasty and aggressive melodic blackened death metal. That may be a bit of a mouthful to say, but the music of Solium Fatalis rolls freely from the speakers and is quite easy to enjoy. Continue reading “Solium Fatalis – Genetically Engineered to Enslave (Review)”
This is the debut album from US death metallers Outer Heaven.
Here we have 33 minutes of old-school death metal, replete with beefy riffs, crushing groove, monstrous growls, and intense aggression. Continue reading “Outer Heaven – Realms of Eternal Decay (Review)”
Benighted are a French death metal band and this latest release is to celebrate their 20th anniversary.
Sometimes you just want something ultra-brutal to knock away the cobwebs and get rid of the lethargy. Sometimes you need something to truly get the blood pumping and the adrenaline flowing. For times like these, the simple pleasures of a good brutal death metal band rarely fail to hit the spot. Continue reading “Benighted – Dogs Always Bite Harder Than Their Master (Review)”
This is the fifth album from Vanhelgd, a death metal band from Sweden.
Both 2014’s Relics of Sulphur Salvation and 2016’s Temple of Phobos are prime examples of quality and creative death metal done right. The latter made it onto my 2016 end of year list, such was the impression it made. As such, I’ve been eagerly awaiting more material from this sterling band. Continue reading “Vanhelgd – Deimos Sanktuarium (Review)”
This is the fourth album from US death metal band Horrendous.
Horrendous are a notable and important band in the death metal underground, I’d posit. As evidence I’d cite albums such as Ecdysis and Anareta, at the very least. Continue reading “Horrendous – Idol (Review)”
Behemoth are a veteran Polish blackened death metal band and this is their eleventh album.
Containing the by-now core of the Behemoth sound, but expanding on this in various ways across different tracks, this new album is a very strong addition to the band’s discography, one which I’m sure with rightly garner much praise. Continue reading “Behemoth – I Loved You at Your Darkest (Review)”
This is the seventh album from Revocation, a US death metal band.
Following up 2016’s enjoyable Great Is Our Sin, this is Revocation’s darkest and most aggressive work so far. Over their existence the band have managed to balance their death and thrash metal influences in an effective ratio, with Continue reading “Revocation – The Outer Ones (Review)”
Aborted are a death metal band from Belgium and this is their tenth album.
Aborted are one of my favourite death metal bands. Their combination of utter brutality, sickeningly groovy riffs, very charismatic vocals, and memorable songwriting has taken them far and wide over the years. Although some of their output has varied in quality, they always deliver the goods in one way or another. Continue reading “Aborted – Terrorvision (Review)”
Heads for the Dead are an international death metal band and this is their debut album.
Here we have another death metal supergroup of sorts from the always reliable Transcending Obscurity Records. Featuring the vocalist of the very tasty Revel in Flesh and the multi-talented Jonny Pettersson, (Ursinne, Ashcloud, Henry Kane, Just Before Dawn, Wombbath, and others), Serpent’s Curse gives us 36 minutes of horror-themed old-school death metal. Continue reading “Heads for the Dead – Serpent’s Curse (Review)”
This is the latest album from US death metal band Pyrexia.
2013’s Feast of Iniquity was an enjoyable enough slab of devastation, but one that ultimately, after repeat listens, fell short in many regards. Unholy Requiem, however, blasts and grooves its way into the world with a renewed sense of passion and furore. The Pyrexia of 2018 clearly mean business. Continue reading “Pyrexia – Unholy Requiem (Review)”
