This is the sixth album from Akercocke, an extreme metal band from the UK.
If you aren’t familiar with Akercocke’s previous output, then I’m afraid to say that you’ve been missing out. Across their body of work they have released some absolutely fantastic songs, and have always been a particular favourite of mine. Their Continue reading “Akercocke – Renaissance in Extremis (Review)”
This is the debut album from Norwegian black metallers Enepsigos.
Plague of Plagues contans almost an hour of visceral, aggressive black metal, the likes of which is likely to cause anyone nearby to wilt under its fiery assault. Continue reading “Enepsigos – Plague of Plagues (Review)”
Barrowlands are from the US and play progressive black metal. This is their second album.
Tyndir is a case study in dark emotion and bleak, sorrowful atmospheres. The songs are progressive explorations of the awe and majesty of nature, replete with all of the danger and lurking terror that seems to accompany a dark forest in the dead of night. Continue reading “Barrowlands – Tyndir (Review”
Hailing from the UK, this is the second album from black metallers Inconcessus Lux Lucis.
I love a bit of occult black metal, and Inconcessus Lux Lucis’ material hits the spot nicely. Here’s a band that draw in some heavy and thrash metal influences into their blackened sound, and seem extra-blessed by the dark powers because of this. Continue reading “Inconcessus Lux Lucis – The Crowning Quietus (Review)”
Kadaverdisciplin are a Swedish black metal band and this is their debut album.
Inspired by the second wave Swedish sound of the 90s, Kadaverdisciplin have updated this with a modern delivery for 2017 and then unleashed their virulent blackened plague on the world with a clear enthusiasm for the harm that it causes. Continue reading “Kadaverdisciplin – Death Supremacy (Review)”
This is the eighth album from Ukrainian one-man black metal band Raventale.
Planetarium contains four songs spread out over 39 minutes. It’s atmospheric black metal that’s dark, affecting, and highly engaging. Continue reading “Raventale – Planetarium (Review)”
This is the fourth album from Polish black metallers Blaze of Perdition.
2015’s Near Death Revelations was a hideously enjoyable release, succeeding in capturing the essence of what makes sophisticated, forward-thinking black metal so compelling and engaging. Continue reading “Blaze of Perdition – Conscious Darkness (Review)”
Enslaved are a Norwegian progressive black metal band and this is their fourteenth album.
Enslaved have put out so much quality music over the years it’s no wonder that they’re one of many people’s favourite bands, (including mine); they have more than earned that privileged. Continue reading “Enslaved – E (Review)”
Widziadło are a Polish black metal band and this is their debut album.
This is atmospheric black metal, with expansive songs and cosmic themes.
Void is a multifaceted release that takes its various influences and Continue reading “Widziadło – Void (Review)”
This is the ninth album from Forgotten Tomb, an Italian black/doom/sludge metal band.
I do have a particular fondness for Forgotten Tomb. Over the years they have morphed from depressive black metal into some form of reeking, hideous piece of blackened sludge nastiness. They’ve reached the point now on We Owe You Nothing that they’ve just thrown everything that they like about darkness and hatred into 42 minutes of blackened sludge doom. Continue reading “Forgotten Tomb – We Owe You Nothing (Review)”
Wonderbox Metal 