Déhà – Nethermost & Absolute Comfort (Review)

Déhà - Nethermost & Absolute ComfortDéhà is a Belgian solo artist who plays in a vast multitude of bands, across a variety of styles. In his solo work alone he spans a wide range of genres. This album is his 38th, (I think).

Déhà is a highly prolific artist with a withering work ethic who manages – against the odds – to consistently maintain some of the highest quality levels across a multitude of genres and styles. As a very, very small slice of examples, check out the marvellous Decadance from 2022, as well as bands such as Acathexis, C.O.A.G., Cult of Erinyes, Silver Knife, Slow, and We All Die (Laughing). You won’t regret any of these. Continue reading “Déhà – Nethermost & Absolute Comfort (Review)”

Cult of Erinyes – Metempsychosis (Review)

Cult of Erinyes - MetempsychosisThis is the fifth album from Belgian black metallers Cult of Erinyes.

Since last catching up with Cult of Erinyes on 2016’s Transcendence and 2017’s Tiberivs, the band have changed vocalist, (now Déhà from Acathexis, C.O.A.G., Silver Knife, Slow, We All Die (Laughing), Merda Mundi, and countless others), and released another EP and album, both of which I unfortunately missed. Which brings us to the 44 minutes of material on Metempsychosis. Continue reading “Cult of Erinyes – Metempsychosis (Review)”

Acathexis – Immerse (Review)

Acathexis - ImmerseThis is the second album from Acathexis, an international black metal band.

Acathexis is given dark life by Jacob Buczarski(, the artist behind the amazing Mare Cognitum), the insanely prolific Déhà, (COAGCult of Erinyes, Silver Knife, Slow, We All Die (Laughing), and many others), and a singer from some bands I don’t know, (Dany Tee, from Los Males del Mundo and Seelenmord). Immerse may only have four songs, but with a total duration of 50 minutes, there’s a lot here to delve deeply into. The album is Well-named, and the songs are sprawling and immersive. Continue reading “Acathexis – Immerse (Review)”

Spectral Voice – Sparagmos (Review)

Spectral Voice - SparagmosThis is the second album from US death/doom band Spectral Voice.

Featuring members of Black Curse and Blood Incantation, Spectral Voice play the sort of humungous death doom that crushes mountains and destroys villages. Sparagmos boasts 46 minutes of material that’s as distressing as it is rewarding. Continue reading “Spectral Voice – Sparagmos (Review)”

Angmodnes – Rot of the Soul (Review)

Angmodnes - Rot of the SoulThis is the debut album from Angmodnes, a funeral doom band from the Netherlands.

Rot of the Soul is a 55-minute journey into funeral doom misery and woe. The music of Angmodnes is engrossing and immersive, covering the listener in layers of rich darkness and compelling atmosphere. Continue reading “Angmodnes – Rot of the Soul (Review)”

Slow – Abîmes I (Review)

Slow - Abîmes ISlow are a funeral doom band from Belgium and this is their seventh album.

Both 2017’s V – Oceans and 2019’s VI – Dantalion were colossal records of immersive atmospheric doom immensity. The latter made it onto my end of year list for 2019 too. With that in mind, and with expectations running high, we turn to the 44 minutes that Abîmes I has in store for us. Continue reading “Slow – Abîmes I (Review)”

Atramentus – Stygian (Review)

Atramentus - StygianThis is the debut album from Atramentus, a doom metal band from Canada.

Stygian is a monster of dark funeral doom. Three tracks sprawl out over 45 minutes, promising nothing but glacial moods and barren hopelessness, and delivering. There are two colossal songs that bookend a shorter ambient piece. Continue reading “Atramentus – Stygian (Review)”

Monthly Overview – the Best of November 2019

What an unreasonably strong month for metal releases November was! Be assured, this list could have been much, much bigger. Let’s see what made the cut… Continue reading “Monthly Overview – the Best of November 2019”

Slow – VI – Dantalion (Review)

Slow - VI - DantalionSlow is a funeral doom band from Belgium and this is their sixth album.

2017’s V – Oceans was a monolithic slab of atmospheric funeral doom that I really, really enjoyed. Brought to us by the artist behind bands such as We All Die (Laughing), COAG, Merda Mundi, Cult of Erinyes, and many others, Slow has now been expanded to a duo, which seems to have inspired them to produce an absolute monster of an album – here they give us 78 minutes of content to become transfixed by. Continue reading “Slow – VI – Dantalion (Review)”