This is the debut album from Ukrainian blackened death/doom band 1914.
I really enjoyed this band’s 2016 split with Minenwerfer, so thought it was time to catch up with their 2015 full-length album Eschatology of War.
With a World War I theme, Eschatology of War is a heavy, martial beast that relentlessly marches forwards overcoming all opposition with strength of numbers and a formidable will. Continue reading “1914 – Eschatology of War (Review)”
This is the second album from Swedish black metallers Omnizide.
As the follow up to 2014’s very pleasing debut album Death Metal Holocaust, Nekroregime continues the band’s blackened assault on the senses, added to and infected by some good old-fashioned death metal influences here and there. Continue reading “Omnizide – Nekroregime (Review)”
Here we have a short split between death metallers Lago and Calm Hatchery, from the US and Poland, respectively.
Lago’s 2014 album Tyranny was an album that had a kind of darkly melodic brutality to it. It saw the band balance their style somewhere between the old-school and the new, to great effect. Continue reading “Lago/Calm Hatchery – Split (Review)”
Vircolac are an Irish death metal band and this is their debut EP.
This is a band that have been firmly influenced by the old-school. It’s classic-styled death metal that firmly puts the emphasis on songs and atmosphere, as opposed to mindless speed, technicality or similar such stuff. Continue reading “Vircolac – The Cursed Travails of the Demeter (Review)”
This is the second album from Church of Disgust, a US death metal band.
I really enjoyed 2013’s Unworldly Summoning. Here was an album that was just over half an hour of filthy, old-school death metal that was so ugly, hostile and evil that it was a depraved joy to experience.
Three years later and they have finally emerged from their crypt. On Veneration of Filth the band do exactly what it says on the tin and offer up 40 minutes of corpse-fresh filthy death metal, reeking of the old-school and ripe with pustulent rot. Continue reading “Church of Disgust – Veneration of Filth (Review)”
This is the third album from Soulburn, a predominantly black metal band from the Netherlands.
Featuring ex-members of Asphyx, this is a solid slab of prime-time metal that effectively mixes black and death metal, (with some doom), into a tasty 47 minutes. Continue reading “Soulburn – Earthless Pagan Spirit (Review)”
This is the debut album from this US death metal band.
Gatecreeper play old-school death metal with an authentic and passionate delivery. It’s heavy, with a crushing atmosphere and songs that are more memorable than they probably have a right to be. Continue reading “Gatecreeper – Sonoran Depravation (Review)”
Echelon are an international death metal supergroup. This is their second album.
With a lineup that contains a huge amount of experience; like the recently released Stench Price, (which shares personnel), I’m just going to list the various members below from the press blurb for ease of clarity –
Dave Ingram (Hail of Bullets, ex-Bolt Thrower, ex-Benediction)
Rogga Johansson (Paganizer, Demiurg, Putrevore)
Johan Berglund (Ribspreader, The Grotesquery)
Kjetil Lynghaug (Johansson & Speckmann, Paganizer)
Travis Ruvo (Akatharta, Cropsy Maniac)
As you can see. These guys know a thing or two about death metal. Continue reading “Echelon – The Brimstone Aggrandizement (Review)”
Obituary are a legendary death metal band from the US and this is their latest release.
Featuring two brand new studio songs and 12 live tracks recorded during their 2015 Inked in Blood world tour, this is a Continue reading “Obituary – Ten Thousand Ways to Die (Review)”
This is the debut album by Eteritus, a death metal band from Poland.
Eteritus play old-school death metal that takes an influence from the Scandinavian scene.
The familiar criticism of most bands playing Continue reading “Eteritus – Following the Ancient Path (Review)”
Wonderbox Metal 