Henry Kane is a one-man deathgrind/death metal/crust project from Sweden.
This is quite hard to classify, but essentially Den Förstörda Människans Rike is a festering, ugly mix of Swedish death metal, hardcore/crust and Swedish grind.
This is deathgrind of the highest, yet filthiest variety. Think of a mutant mix of Dismember, Nails, Anaal Nathrakh, Nasum and Martyrdöd. Continue reading “Henry Kane – Den Förstörda Människans Rike (Review)”
This is the debut album from US grindcore band The Drip.
The band’s 2014 EP A Presentation of Gruesome Poetics was a brief glimpse into the world of The Drip and what they were capable of. I said in the review that the EP bodes well for a future album release and that they were ones to watch. Well, after a longer wait than Continue reading “The Drip – The Haunting Fear of Inevitability (Review)”
Six-Score are an Austrian Grindcore band, and this is their second album.
This is modern-edged grind with plenty of aggression and attitude.
Hardcore and punk influences can be heard alongside quite a few d-beat and crust ones, all mixed in with some metal and grinding ferocity. The parts that are injected with more d-beat and punk stylings are quite energetic, Continue reading “Six-Score – Lebensräume (Review)”
This is the third album from German Death Metallers Deathrite.
This is Old-School/Classic Death Metal that’s filthy and dirty as Hell. It also has a poisonous mixture of both Doom and Hardcore influences pulsating through its infected blood.
Yes, this is an interesting mixture of different types of extremity all wrapped up in a Death Metal giftbox. There’s an air of the Swedish style to their attack, as well as a whiff of a chainsaw in their sound; there’s a Doomy Asphyx/Incantation vibe going on; there’s a Hardcore/Grindcore energy à la Nasum; and there’s plenty of balls-ahead Death Metal fun for all of the family!
The songs are heavy and nasty, with plenty of bite and a substantial presence. This is a compact little album lasting 35 minutes that doesn’t outstay its welcome and is in fact the kind of thing you’ll find yourself playing again almost straight away.
The singer has a throaty growl that’s malignant and rabid. It complements the aggressiveness of the music perfectly.
This is a top quality album full of decent Metal tunes and plenty of big riffs, with everything you see and hear being covered in filth, of course.
Organ Dealer are a Modern Grindcore band from the US and this is their début album.
Boasting a strong sound, Organ Dealer have come to smash! This is brutal music that’s bound to appeal to fans of extremity and destruction everywhere.
A fast, focused assault of tasty Grind is given further backbone by a Death Metal base and a heart of pure ferocity.
The songs are well written and paced, which might sound an odd thing to say of break-neck Grindcore but this isn’t a pure blast-frenzy; Organ Dealer know the value of a good riff and are not afraid to use it for maximum effect. When the mayhem slows down they’re just as devastating as when they’re going all out.
I like an album like this that essentially compresses Modern Death Metal into a tight ball of rage, clips the songs to about 1-2 minutes in length and then pours hot, scalding Grindcore on top of everything. I mean, what’s not to like here? It’s fast, ferocious and brutal, all with a modern veneer and enough musical talent to make it stand out.
The vocals are scathing screams that will leave you breathless. Deeper deathgrunts are also used and the impression is very much one of intensity and extremity. I can only imagine Organ Dealer would be quite a spectacle live if they can reproduce this faithfully.
Visceral Infection has the timeless dynamics of Nasum and Napam Death and the modern brutality of Maruta and Pig Destroyer. As such, it’s a damn fine listen.
Tune in and Grind out.
Unrest are from the US and play Grindcore, as you can probably tell. In fact, what do you do with an album titled Grindcore? Well, I’ll tell you what you do; you play it really damn loud.
Unrest appear to exist purely to play tribute to Nasum. In theory, this could end very badly indeed as Nasum are just sooooo good. However, in an unexpected twist of fate, Unrest manage to pull off quite the paradox by faithfully reproducing Nasum’s sound without sounding like a cheap knock off. Colour me impressed!
So, if you know what Nasum sounds like you know what Grindcore sounds like, and you can take that sentence in multiple ways really. Unrest’s Grindcore is tight, focused and furiously aggressive modern Grind that chokes the listener with almost 27 minutes of sharp, tasty Grindcore treats.
Like their heroes, Unrest know that Grind isn’t just about the blasting; dynamics, groove, feeling…these things are all important ingredients in the perfect Grind cake. Of course, this album isn’t perfect, but it is better than most.
Featuring some actual songs amidst the carnage and enough cutting riffs to maim the unwary, Grindcore delivers the goods time and time again.
This is a split between French Grindcore bands Miserable Failure and Atara.
Atara are up first and they give us 6 tracks of Punk and groove influenced Grind.
These are enjoyable short, sharp adrenaline shots of modern Grind with Punk attitude and a touch of Nasum added in.
The singer is particularly acerbic and he heads the tracks here like the focal point of devastation.
Scathing vocals and a rounded, heavy sound that’s not overproduced means that the band shine filthily and so do the songs. Top work by Atara.
We’ve met Miserable Failure before with their last EP Hope. They continue to impress here with 8 tracks of furious Grind that mix the best of the extreme nature of Grindcore with the violence of modern Hardcore.
The utterly demented vocals are present and the music sounds just as unhinged. Slabs of distortion that pass themselves off as riffs crash into your skull and before you know it you’re left wondering what the hell just happened. And then, without warning, Miserable Failure loom in suddenly for the killing blow.
There’s no reason at all you shouldn’t get this. None whatsoever.
Transient are from the US and play Grindcore.
This is professionally-recorded and nicely heavy. The songs are short and the anger high. The vocalist sounds like she is possessed by demons, (yes, plural), and is a whirlwind force of nature stalking these songs and shortening their natural lifespan by her presence alone. It’s an impressive performance.
The songs are hardcore-influenced Grindcore with lots to keep the attention with. None of the tracks reach over the 2:00 minute mark but that just means that every spare second is used for something useful rather than just filling space.
I love this kind of grind; modern and brutal but still with a firm emotional core and lyrics that have meaning rather than just being a pointless gore-fest, (which can also be fun of course).
Cross a band like Nasum with the scathing feral hardcore of Converge and Transient will be the product. This is a top quality Grind album and should be on the want list of every fan of this genre.
Dead In The Dirt play Grindcore and do it from the US.
The band throw out highly aggressive Grind with short songs and even shorter tempers.
With a solid sound that’s so sharp you could do someone an injury, the songs blast out of the speakers covered in bile and thoughts of execution.
I do so love this kind of Grind! Heavy and fast at the same time; taking the blueprint and class of a band like Nasum and mixing it with bits of Sludge, Crust, Brutal Truth and Converge.
Take any selection of songs on the album and you’ll find a fair degree of variety. Sometimes it sounds like Eyehategod mixed with Deathgrind, (Strength Through Restraint), next it sounds like Uphill Battle if they totally gave in to their Grind influences, (Idiot Bliss), and then it sounds like a Hardcore Crust Brutal Truth, (You Bury Me).
Amazingly the band manage to perfect the balancing of frenetic, ultra-intense speed with heaviness and brutality in a way that most bands fumble, but Dead In The Dirt manage to make seem easy and the most natural thing in the world.
Better Grind you won’t hear in a while.
Hailing from the US, The Drip play Grind, fast and brutal.
This EP is 12 minutes, 6 tracks of mutilating Grindcore. The band worship at the altar of Grind legends Nasum and Rotten Sound, and are just as tight and focused.
The songs are streamlined and belligerent, with a good grasp of Nasum-esque dynamics.
The vocals are mainly high-pitched screeches designed to curdle milk and other such meanness. They sound savage and layer the top of the music like broken glass.
The production is clear enough to hear everything but also dirty enough to avoid the band becoming sterile or safe. A band with bite.
Each song is a self-contained furnace of energy and destruction, with nothing being held back. The band manage to give off a very complete feeling of listening to both state-of-the-art Grind but also one that’s aware of its heritage, going all the way back to Napalm Death when they unleashed Scum upon the world.
This is a great little collection of high octane grinders and it bodes well for a future album release. Definitely ones to watch.