This is the second album from international extreme metal band Vltimas.
If ever a band was going to have the supergroup tag applied to it, it’s Vltimas. Brought to us by current and ex-members of bands such as Aura Noir, Cryptopsy, Mayhem, Morbid Angel, and Nader Sadek, you know that a lot of experience has gone into Epic. Continue reading “Vltimas – Epic (Review)”
This is the third album from Convulsing, a solo death metal band from Australia.
I haven’t caught up with Convulsing since their immense 2017 split with Siberian Hell Sounds, so we’re well overdue. Perdurance lasts 48 minutes, (56 with the bonus Porcupine Tree cover), and is a monster of avant-garde death metal. Continue reading “Convulsing – Perdurance (Review)”
This is the debut album from UK death/doom metal band Slimelord.
Chytridiomycosis Relinquished comes to us from current/ex-members of Cryptic Shift and Horrified, which should bode well for Slimelord. This coupled with the promo stating that this is for fans of Disembowelment, Immolation, Gojira, Morbid Angel, Voidceremony, Tomb Mold, Edge of
Sanity, and Morbus Chron, made me quite intrigued to check out Chytridiomycosis Relinquished, as that’s quite the mix. Continue reading “Slimelord – Chytridiomycosis Relinquished (Review)”
This is the debut album from US death metal band Apogean.
Cyberstrictive contains 44 minutes of modern technical death metal. As a lazy intro, I’m just going to quote the blrub on their Bandcamp page – “Apogean drew their inspiration from such groups as Soreption, The Faceless, Obscura, Necrophagist, The Black Dahlia Murder, Archspire, and The Zenith Passage. It’s a safe bet that fans of those bands will thoroughly enjoy what they have to offer.” Continue reading “Apogean – Cyberstrictive (Review)”
This is the debut album from Fathomless Ritual, a solo death metal band from Canada.
Brought to us by a member of Gutvoid, Hymns for the Lesser Gods is a 39-minute slab of foul death metal. Old-school and cavernous, it fuses technical skill with brute force, making for an unholy merging of sophistication and simplicity. Continue reading “Fathomless Ritual – Hymns for the Lesser Gods (Review)”
Vircolac are an Irish death metal band and this is their second album.
Following on from 2016’s EP The Cursed Travails of the Demeter and 2019’s Masque, Veneration provides us with seven new tracks of the band’s idiosyncratic death metal. Over 37 minutes Vircolac once more demonstrate that they stand out from the death metal hordes. Continue reading “Vircolac – Veneration (Review)”
This is the fifth album from US death metallers Job for a Cowboy.
Ten years on from 2014’s Sun Eater and Job for a Cowboy have finally returned. It’s been worth the wait, let me tell you.
On Moon Healer Job for a Cowboy travel further along Continue reading “Job for a Cowboy – Moon Healer (Review)”
This is the debut album from Dissimulator, a Canadian death/thrash metal band.
Brought to us by current and ex-members of bands such as Atramentus, Beyond Creation, and First Fragment, Lower Form Resistance delivers 42 minutes of material from Dissimulator. Continue reading “Dissimulator – Lower Form Resistance (Review)”
This is the second album from Spanish death metal band Eternal Storm.
A Giant Bound to Fall is a much anticipated album in the land of progressive death metal. 2019’s Come the Tide was a very well-regarded album, so five years later, what have the Eternal Storm of 2024 delivered to us? Continue reading “Eternal Storm – A Giant Bound to Fall (Review)”
This is the third album from Spanish death metal band Pestilength.
I’ve really been looking forward to hearing Solar Clorex, and its 36-minute experience has not disappointed. Self-styled as corrosive death metal, this appellation fits Pestilength’s music perfectly. Continue reading “Pestilength – Solar Clorex (Review)”
Wonderbox Metal 