This is a split between black metallers Minenwerfer from the US and Ukrainian blackened death/doom band 1914.
First up we have Minenwerfer, with 21 minutes of fast and barbaric black metal.
Their side of the split contains four tracks; 3 originals and a re-recording of a song off their debut demo. Continue reading “Minenwerfer/1914 – Ich hatt einen Kameraden – Split (Review)”
Hailing from The Netherlands, this is the debut EP from this death metal band.
This is a timeless brand of death metal that has elements from several different eras in its makeup. The songs have a good degree of catchiness and hooks, and this is juxtaposed against the raw brutality that the band also bring to the melting pot of influences that they clearly have.
The singer has an absolutely brutal voice that’s all guttural Continue reading “Sisters of Suffocation – Brutal Queen (Review)”
This is the second album from Turkish death metal band Carnophage.
Sitting and writing this on a lazy Sunday morning, I’m listening to Monument again and it’s like a force of nature is rushing out of the speakers into my ears, engaging my brain and waking me up like it’s slapping me in the face over and over again.
Yeah, I still feel tired, but now I’m awake-tired. I’m sure you can relate. Continue reading “Carnophage – Monument (Review)”
This is the latest EP from Krylithsic, a death metal band from Germany.
Krylithsic play fast and brutal death metal that unrelentingly pounds at your skin, looking to draw blood. The band also know their way around their instruments though, injecting technical aspects into the songs too. Continue reading “Krylithsic – Beast of the Northern Hemisphere (Review)”
This is the debut EP from US death metallers Deathcrown.
Raw, nasty, old-school death metal with a Swedish-styled delivery, plenty of groove, lightning solos and a modern freshness? Yes please!
The above description is all you need to know in many ways, but don’t make the mistake of dismissing Deathcrown as just another Swedish death metal clone, that would be a a grave injustice.
Sure, they play the style with Continue reading “Deathcrown – Living Hell (Review)”
Hailing from Sweden, this is the third album from death metallers Decomposed.
The band’s 2014 album Devouring was hugely enjoyable. Firmly rooted in old-school Swedish death metal, it delivered 36 minutes of very satisfyingly crushing music.
Fast forward to 2016, and we have Wither; 38 minutes of the same kind of crushing, satisfying death metal. Continue reading “Decomposed – Wither (Review)”
This is the third album from one-man death metal act Fetal Autopsy.
One-man death metal is a lot less common than one-man black metal is. This is a not a comment that really has any relevance to this review, I suppose, but there we are.
Okay, so Fetal Autopsy has 50 minutes of stocky, muscular death metal. Underground, brutal death metal is usually Continue reading “Fetal Autopsy – Backwoods Bloodshed (Review)”
This is the debut demo from Hegemony, a blackened death metal band from the US.
This is ugly, ugly stuff. Raw black metal is mixed with bestial, underground death metal to create the kind of twisted, chaotic mindfuck that would make Revenge proud.
The delivery and performance on Continue reading “Hegemony – Demo MMXVI (Review)”
Inanimate Existence are a US death metal band and this is their third album.
Starting off softly, with ambient sounds and female vocals, this album is a different beast to the band’s last album A Never Ending Cycle of Atonement. Sure, the band haven’t completely changed, but they’ve definitely progressed a significant amount.
So if you take their Continue reading “Inanimate Existence – Calling from a Dream (Review)”
L’Incendio are an extreme metal band from Italy. This is their debut album.
L’Incendio have a death metal core that they build on with elements of other sub-genre styles, fleshing out their well-rounded assault in a wider-ranging way than many of their peers.
Combining atmosphere and accessibility into their Continue reading “L’Incendio – L’Incendio (Review)”
Wonderbox Metal 