This is the fourth album from Swedish death/doom metallers Soliloquium.
It’s always a pleasure to hear new Soliloquium. Betwen 2018’s Contemplations and 2020’s Things We Leave Behind the band have quickly amassed an enviable discography, and now we have Soulsearching to add to this impressive list. Continue reading “Soliloquium – Soulsearching (Review)”
This is the second album from US one-man post-metal band Breaths.
Here we have 35 minutes of music that’s described as a mix of post-metal, black metal, doom metal, shoegaze, post-rock, progressive metal, and post-hardcore, and recommended for bands such as Alcest, Deftones, Deafheaven, and Sleep Token. Believe it or not, this wide mix of genres actually makes sense within the context of the bands mentioned, so a picture can start to form of what the Breaths sound is like before you encounter the artist’s emotive metal. Continue reading “Breaths – Though Life Has Turned out Nothing Like I Imagined, It Is Far Better Than I Could Have Dreamt (Review)”
This is the debut album from Australian post-black metallers Oar.
Oar’s brand of post-black metal is expressive and dark. There is a sizeable doom influence, which is great to hear and works really well in the band’s blackened context. Elements of blackgaze and hardcore can also be heard, and these succeed in broadening the palette with which Oar paint their soundscapes. Continue reading “Oar – The Blood You Crave (Review)”
This is the third album from US blackened post-hardcore band Glassing.
Following on from 2019’s Spotted Horse, Twin Dream delivers 48 minutes of new material, and essentially continues off from where Spotted Horse left off, only improves it in pretty much all respects. Continue reading “Glassing – Twin Dream (Review)”
MØL are a post-black metal band from Denmark and this is their second album.
I really liked 2018’s Jord, so it’s great to have some new material from MØL.
MØL play an effervescent blend of post-black metal and blackgaze, and on Diorama they deliver 47 minutes of the stuff. Continue reading “MØL – Diorama (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Les Acteurs de L’Ombre Productions has released some very strong albums over the years, so I always like to keep up with what they’re putting out. Imagine my horror when I discovered that I was a good couple of months behind with their releases. To rectify, I’ve collected the three below for your delectation… Continue reading “Label Roundup: Les Acteurs de L’Ombre Productions – Limbes, Mütterlein, Aorlhac, & Hegemon (Reviews)”
Vow are a UK post-metal band and this is their second release.
Is this an EP or an album? The promo blurb says album, but then it only contains two tracks and lasts a total of 17 minutes. Either way, it’s worth getting your hands on, as Vow’s experimental post-metal is very tasty indeed. Continue reading “Vow – Icarian (Review)”
This is the second album from Polish one-man post-black metal band Ennoven.
This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”
Noctule is a one-woman black metal band from the UK, and this is her debut album.
Brought to us by the singer/guitarist of Svalbard, Wretched Abyss is a 42-minute Skyrim-themed album that takes some of the darker and melodic elements you can hear in Svalbard’s sound, and wraps them around a blackened core. Continue reading “Noctule – Wretched Abyss (Review)”
Olhava are a Russian black metal band and this is their fourth album.
Frozen Bloom is a 59-minute exploration of loss and mournful intensity. The band’s post-blackened brew is concocted from the bones of atmospheric black metal, blackgaze’s warmth of emotion, dark ambience, and synth-driven drone. Continue reading “Olhava – Frozen Bloom (Review)”
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