Culted are an international blackened doom band and this is their latest EP.
I really enjoyed 2014’s Oblique to All Paths, and have been waiting for a new Culted release ever since. Well, now it’s here in the shape of this 27-minute EP. Boasting three tracks, Vespertina Synaxis: A Prayer for Union & Emptiness is a sinister exploration of Culted’s world. Continue reading “Culted – Vespertina Synaxis: A Prayer for Union & Emptiness (Review)”
Abigorum are a black/doom metal band from Russia/Germany and this is their debut album.
Exaltatus Mechanism contains 46 minutes of blackened soundscapes filled with bleak, ritualistic occult atmosphere and daemonic presence. Continue reading “Abigorum – Exaltatus Mechanism (Review)”
Burial in the Woods is a one man blackened doom band, and this is his debut album.
Brought to us by the mastermind behind Asche der Welten, this new project’s debut release features four tracks in total. The first three each clock in at 7-9 minutes each, while the last is an imposing 24 minutes. At 49 minutes in total, Church of Dagon is a diverse and inventive listen, one which is definitely worth experiencing. Continue reading “Burial in the Woods – Church of Dagon (Review)”
This is the debut album from Heathe, a blackened doom/drone project from Denmark.
Apparently created by a core of one person who was then aided and abetted by multiple others, this band have crafted here a single 38-minute track named On the Tombstones. It has apparently been recorded live, with a structure enhanced by improvisation in places, which is probably why the music feels so vibrant, albeit in a bleak, nihilistic ways. Continue reading “Heathe – On the Tombstones; the Symbols Engraved (Review)”
Well, there were so many high quality albums that came out in April it was quite impressive. I had a shortlist of 20 that I wanted to highlight, but decided that 20 was a bit too excessive. So, after great pained deliberation, I give you the ten below… Continue reading “Monthly Overview – the Best of April 2019”
Dead to a Dying World are a blackened doom band from the US and this is their third album.
2015’s Litany was a sprawling, ambitious album. It was also very good, although this new release is something quite new and special in some ways. The band have returned with the even more expansive and developed Elegy. Showing greater focus of delivery, (49 minutes vs Litany’s 73), Elegy is also wider ranging and boasts Continue reading “Dead to a Dying World – Elegy (Review)”
This is the debut album from French post-black metal band Heaume Mortal, (featuring a member of Eibon and Cowards).
There are six tracks on this album spread out across a sprawling 58 minutes of material, (including a Burzum cover). This is music that’s dark and crushing, while also containing aspects of resplendence and writhing, textured colour. Continue reading “Heaume Mortal – Solstices (Review)”
Coltsblood and Un are both doom bands and have teamed up for this split release. The former are from the UK and the latter the US.
I’n unfamiliar with Coltsblood’s work prior to this split, but I certainly intend to rectify this after listening to Snows of the Winter Realm. Continue reading “Coltsblood/Un- Split (Review)”
This is the second album from Maestus, a blackened doom band from the US.
Looking for a doom record that has epic-length songs and music that’s crushing, while also boasting a surprisingly delicate touch in places? Look no further. Continue reading “Maestus – Deliquesce (Review)”
This is the second album from A Thousand Sufferings, a Belgian blackened doom band.
We last heard from A Thousand Sufferings in 2015 with their debut album Burden. This was a dark slab of doom/sludge metal, and with Bleakness A Thousand Sufferings have capitalised on the strengths of that early record and produced 41 minutes of tortured and pained heavy music. Continue reading “A Thousand Sufferings – Bleakness (Review)”
Wonderbox Metal 