This is the second album from Khaospath, a Swedish black metal band.
This is an interesting album in a few different ways.
Although it’s undoubtedly raw and aggressive, it also contains a hearty heavy metal influence alongside its more traditional second wave approach. Continue reading “Khaospath – …for the Devil Speaks the Truth (Review)”
There’s a very special day approaching soon – May 6th 2017. Why is this date so important? Well, if you’re in the UK on that Saturday, it means you can get on down to the Black Cloud All Dayer in Manchester.
Sign up for the Facebook event and get your tickets here – it’s going to be a good one.
The lineup for the day is ridiculously strong. Below we’ll have a look at each of the bands playing in turn. With such a wealth of talent on the bill, it would be foolish to miss this. Continue reading “Black Cloud All Dayer – Preview”
This is the debut album from White Ward, a Ukrainian post-black metal band.
This is post-black metal with avant-garde tendencies. However, this is a very simplistic description of what you’ll find on Futility Report; the music is anything but simple.
Mix Ihsahn, Ulver, Ephel Duath, Blut Aus Nord, Deafheaven, and Wolves in the Throne Room together, and you’ll still only have the barest glimpse of what White Ward play. Continue reading “White Ward – Futility Report (Review)”
This is the debut album from Polish post-black metallers Rosk.
Rosk play post-black metal with atmospheric, doom, and ambient influences. Continue reading “Rosk – Miasma (Review)”
Mountains Crave are a UK black metal band and this is their debut album.
This is black metal that skilfully builds progressive, atmospheric, and post-metal elements into its construction. Continue reading “Mountains Crave – As We Were When We Were Not (Review)”
This is the debut album from one-man French black metal band Time Lurker.
Time Lurker is atmospheric black metal that’s sophisticated and thoughtful.
Elements of modern, depressive and post-black metal can be heard in places, enhancing and widening the scope of Time Lurker’s atmospherically blackened base. Continue reading “Time Lurker – Time Lurker (Review)”
This is the debut album from US black/speed metal band Bewitcher.
This is some heady old-school stuff. Mixing thrash, speed, heavy, and first-wave black metal influences into its delivery, this album is designed to get you headbanging. Continue reading “Bewitcher – Bewitcher (Review)”
Hailing from the Netherlands, this is a one-man black metal project. This is his fourth album.
A Hollow Path contains 42 minutes of raging blackened nastiness, all tied together with some extra death/thrash metal influences. Continue reading “Abomnium – A Hollow Path (Review)”
Thieves are a US hardcore band and this is their debut album.
Thieves play dark, violent hardcore. I can’t help but like this kind of relentlessly bleak and abrasive music. Over the course Continue reading “Thieves – LP I (Review)”
Axioma are a post-black metal band from the US and this is their debut EP.
Featuring a member of Keelhaul and Brain Tentacles, I had high hopes for this release, partially based on this, and partially for the description of what Opia sounded like. I haven’t been disappointed. Continue reading “Axioma – Opia (Review)”
Wonderbox Metal 