This is the debut album from Experior Obscura, a one man, (and session drummer), Italian black metal act.
Apparently this is a reworked, remastered, and generally revisited and updated version of a 2015 demo. I haven’t heard the original to comment on the differences, but this version of Iter in Nebula sounds good, both musically and production-wise. Continue reading “Experior Obscura – Iter in Nebula (Review)”
Dead to a Dying World are a blackened doom band from the US and this is their third album.
2015’s Litany was a sprawling, ambitious album. It was also very good, although this new release is something quite new and special in some ways. The band have returned with the even more expansive and developed Elegy. Showing greater focus of delivery, (49 minutes vs Litany’s 73), Elegy is also wider ranging and boasts Continue reading “Dead to a Dying World – Elegy (Review)”
This is the fourth album from Swedish black metallers Mephorash.
Even after enjoying 2015’s 1557 – Rites of Nullification and getting a taste of the band’s new material on last year’s The Third Woe, I still wasn’t really prepared for this. Shem Ha Mephorash might surprise you by just how good it is, as it did me. Mephorash may not be a well-worn Continue reading “Mephorash – Shem Ha Mephorash (Review)”
This is the second album from Spanish doom/heavy metallers Totengott.
This immense album is a hard one to describe with genre tags. It’s a mix of doom and thrash/heavy metal, but with elements of black, death, and progressive metal added in too, (as well as forays into dark ambient waters). The promo blurb mentions Continue reading “Totengott – The Abyss (Review)”
This is the debut album from Aethyrick, a Finnish black metal band.
Praxis features 39 minutes of occult black metal, and I have to say this is quite a captivating underground gem of an album. Continue reading “Aethyrick – Praxis (Review)”
Hath are a progressive blackened death metal band from the US, (with members of Cognitive and Dystrophy), and this is their debut album.
Of Rot and Ruin combines a base of death metal aggression with black metal’s dark emotive qualities to produce and album that hits hard and memorably, and easily draws you back for more and more. Continue reading “Hath – Of Rot and Ruin (Review)”
Waldgeflüster are a German black metal band and this is their fifth album.
2016’s Ruinen was a notable and very enjoyable record, one which I’ve returned to many times over the years. Mondscheinsonaten is their much-anticipated new album, one that takes the core of Ruinen and builds it up to even greater heights. Continue reading “Waldgeflüster – Mondscheinsonaten (Review)”
Inter Arma are a US post-metal band and this is their fourth album.
A new Inter Arma release is always welcome. 2014’s The Cavern was a stunning record that topped my end of year list, and although 2016’s Paradise Gallows didn’t ascend to the same heights, it was an album that I still deem as an essential listen, (and in hindsight should definitely have been higher up on 2016’s list). Continue reading “Inter Arma – Sulphur English (Review)”
None are a black metal band from the US and this is their third album.
The artists behind None have released an album every April since 2017’s very enjoyable self titled debut. In 2018 we were treated to the superior and very well-formed Life Has Gone on Enough, which saw the band’s blackened vision improve even further. Now it’s 2019, and we have Damp Chill of Life, the apex of their development so far. Continue reading “None – Damp Chill of Life (Review)”
Wormwitch are a Canadian black metal band and this is their second album.
Heaven That Dwells Within features 46 minutes of black metal that’s accessible, catchy, and memorable, while still retaining underground aesthetics, dark atmospheres, and grim intent. Continue reading “Wormwitch – Heaven That Dwells Within (Review)”
Wonderbox Metal 