The Summoned are a US death metal band and this is their second album.
I love The Summoned’s past work, so now that we finally have a new album from them, it’s great to hear. Continue reading “The Summoned – Sessions (Review)”
The Summoned are a US death metal band and this is their second album.
I love The Summoned’s past work, so now that we finally have a new album from them, it’s great to hear. Continue reading “The Summoned – Sessions (Review)”
Between the Buried and Me are a US progressive metal band.
This album documents the band playing the entirety of their last album, Coma Ecliptic, live in San Diego. Continue reading “Between the Buried and Me – Coma Ecliptic: Live (Review)”
Behind the Sun are a Progressive Metal band from the US. This is their debut EP.
Behind the Sun play extreme metal that takes a progressive view of its influences, delivering half an hour or so of modern music that engages and satisfies. Continue reading “Behind the Sun – Post Solis (Review)”
Nova Collective are a US/UK progressive rock band and this is their debut album.
Featuring members of Between the Buried and Me, Haken, Trioscapes and Cynic, Nova Collective’s debut album The Further Side is 48 minutes of instrumental progressive rock fusion with plenty of jazz, world and classical influences. Continue reading “Nova Collective – The Further Side (Review)”
A Sense of Gravity are a progressive metal band from the US. This is their second album.
I bet you’ve always wanted a record that mixes Dream Theater and Between the Buried and Me haven’t you? Well, now you have one. With symphonic/neoclassical elements combined with extreme metal, this is 68 minutes of progressive metal delivered just the way we like it; interesting and exciting. Continue reading “A Sense of Gravity – Atrament (Review)”
Tactus are a Canadian progressive metal band and this is their debut album.
Well it soon becomes obvious that this band know a thing or two about how to play their instruments. This is modern progressive heavy metal that has plenty of technicality and a djent influence.
As I always say; Continue reading “Tactus – Bending Light (Review)”
L’Incendio are an extreme metal band from Italy. This is their debut album.
L’Incendio have a death metal core that they build on with elements of other sub-genre styles, fleshing out their well-rounded assault in a wider-ranging way than many of their peers.
Combining atmosphere and accessibility into their Continue reading “L’Incendio – L’Incendio (Review)”
Between the Buried and Me are a progressive Extreme Metal band from the US. This is their seventh album.
If you haven’t encountered Between the Buried and Me before then you’re in for a treat. They’re one of the best examples of a band individualising what they do, and what they do is progressive Extreme Technical Metal. It’s a bit of a mouthful but it’s hard to describe this band in simple terms. Over the course of their career they’ve pretty much done it all, and over time they’re only getting more ambitious with their releases.
As with anything like this though, it’s not for everyone. If you favour music that has traditional song structures and predictable layouts, then move quietly along. If, however, you like the idea of listening to a band that can effortlessly combine the type of stuff you’d hear from bands like Queen, Deicide, Dream Theatre and The Dillinger Escape Plan, while simultaneously remaining entirely their own entity, then make sure you check this out.
This latest album is as ambitious and grandiose as always, more so in many respects. Piano and keyboards probably feature even more heavily than previously and add to the progressive structures in innumerable ways.
The singer uses both clean vocals and growls, although there seems to be a trend developing now that shows him using his clean vocals more and more. This is reflected in the music too, as the band use blast beats more sparingly than they used too as well. It may be less extreme than some of their other work, but that doesn’t necessarily mean it’s any more accessible for the average listener. After all, there are more ways to be extreme than just playing fast.
The music is flawlessly delivered and the level of musicianship on Coma Ecliptic is staggeringly high; this is a band who know how to work their instruments. The compositions are long and involved, as usual, although the average track length is slightly shorter than some of their previous work.
Eschewing anything close to standard song structures, Between the Buried and Me are all about the song sections and how these holistically fit together. There’s a lot to take in over these 69 minutes and the album certainly requires multiple spins to give up its secrets.
All of the songs have their own personality, as you would imagine, and it’s easy to differentiate between them. They’ve always been a highly textured and nuanced band, and this only seems to be becoming more pronounced over time.
Anyone into challenging music that successfully mixes progressive music with extremity, heaviness and quirkiness should definitely check this out.
Antlion are a Canadian Technical Death Metal band and this is their début album.
Antlion’s brand of Death Metal incorporates some Jazzy, Progressive and Death-style elements into their Technical Death Metal broth and it tastes good. It’s a modern take on the genre and is somewhat of a mix of bands like Gorod and Between the Buried and Me’s quirky extremity, mixed with a classic essence of Death and just the barest touch of Djent.
The music is highly accomplished, featuring enough style and time-changes to satisfy anyone’s craving for challenging music. This is coupled with a wider Progressive sensibility that stops the music from going off the rails completely, but only just.
Liquid leads and fluid guitars fracture into spiky riffs and jagged melodies at a moment’s notice. The merging of the two disparate Progressive Technical Metal worlds that bands like Between the Buried and Me and Death inhabit is a stroke of genius and it’s a joy to hear the modern and the Old-School share space in this way.
The singer’s voice mainly consists of sharp, shrieking screams and aggressive growls. His performance fits the music and it’s nicely rabid the entire way through.
For all of their seeming-randomness, these are tightly controlled songs that have a surprising emotive content and even catchiness in places, both of which are unexpected for a band of this ilk.
This is an impressive release, especially for a début. I would love for this band to develop their Progressive side in the future, but at the same time keeping the inherent unpredictability of their Technical side. This would probably mean songs that average about 10 minutes in length each, but I’m happy with that. As it is though, The Prescient is a very involving slab of Technical/Progressive Death Metal with loads of content and a nasty bite.
Highly recommended.
Gorod are a Death Metal band from France and this is their fifth album.
The band play Technical Death Metal and play it pretty damn well. Over the course of their existence they have built up a rightfully-deserved reputation for quality and on this latest release it’s easy to see why.
Gorod have always been fond of atypical, unusual, Jazz-inflected riffs and on A Maze of Recycled Creeds there seems to be even more of these than usual, which, if you’re familiar with Gorod at all, is only ever a good thing.
Another, (one of many), good things about Gorod is their inclusion of a Progressive Metal element to their music, which allows the band to lock into some astoundingly good sections as the album tears along, mindful of not letting slip any moment for greatness. This is Technical Death Metal that values songs and recognises the need for good atmosphere and feeling among the Jazz/Funk craziness and experimental brutality.
All of the instruments are shockingly well-played and Gorod are one of those seemingly-rare bands that know not only how to use a bass guitar but also that you must be able to actually hear it for it to be truly utilised correctly.
Vocally the singer has a charismatic growl that’s largely blunt and ugly, yet still seemingly refined when compared to a lot of Death Metal vocalists. His voice is put to good use throughout the songs and he has enough variety in his delivery to keep interest while still having a consistency that helps anchor the music’s more extravagant tendencies.
This is a very impressive album from a talented band. The songs are well-written and performed by veterans who are at the height of their game. If you take bands as diverse as Gorguts, Between the Buried and Me, Soilent Green, Death and The Faceless, mash them all up and condense them into 46 minutes of controlled mayhem, you’ll end up with A Maze of Recycled Creeds.
Priceless.