Antlion’s brand of Death Metal incorporates some Jazzy, Progressive and Death-style elements into their Technical Death Metal broth and it tastes good. It’s a modern take on the genre and is somewhat of a mix of bands like Gorod and Between the Buried and Me’s quirky extremity, mixed with a classic essence of Death and just the barest touch of Djent.
The music is highly accomplished, featuring enough style and time-changes to satisfy anyone’s craving for challenging music. This is coupled with a wider Progressive sensibility that stops the music from going off the rails completely, but only just.
Liquid leads and fluid guitars fracture into spiky riffs and jagged melodies at a moment’s notice. The merging of the two disparate Progressive Technical Metal worlds that bands like Between the Buried and Me and Death inhabit is a stroke of genius and it’s a joy to hear the modern and the Old-School share space in this way.
The singer’s voice mainly consists of sharp, shrieking screams and aggressive growls. His performance fits the music and it’s nicely rabid the entire way through.
For all of their seeming-randomness, these are tightly controlled songs that have a surprising emotive content and even catchiness in places, both of which are unexpected for a band of this ilk.
This is an impressive release, especially for a début. I would love for this band to develop their Progressive side in the future, but at the same time keeping the inherent unpredictability of their Technical side. This would probably mean songs that average about 10 minutes in length each, but I’m happy with that. As it is though, The Prescient is a very involving slab of Technical/Progressive Death Metal with loads of content and a nasty bite.