Downfall of Gaia – Atrophy (Review)

Downfall of GaiaThis is the fourth album from German band Downfall of Gaia. They play post-black metal.

This is a release that creates and fosters atmosphere like a second skin. It’s dark and mystical, and keeps its secrets close to its chest despite also being quite warm and welcoming in some respects. Ice-cold black metal full of hatred and blasphemy this is not. That’s not to say that Continue reading “Downfall of Gaia – Atrophy (Review)”

Tarnkappe – Winterwaker (Review)

TarnkappeTarnkappe are from the Netherlands and this is their second album.

The band’s first release Tussen Hun En De Zon introduced us to the band’s take on classic black metal, with lashings of Burzum and Darkthrone influences lacing the old-school venom of the music. Continue reading “Tarnkappe – Winterwaker (Review)”

Fornicus – Hymns of Dominion (Review)

FornicusFornicus are a black metal band from the US and this is their second album.

Since 2014’s Storming Heaven it seems that Fornicus have only become harsher and more extreme with their black metal. Hymns of Dominion is 43 minutes of fast and scathing icy hatred. Continue reading “Fornicus – Hymns of Dominion (Review)”

Sirenia – Dim Days of Dolor (Review)

SireniaThis is the eighth album from Norwegian symphonic/Gothic metallers Sirenia.

After being around for a good 15 years now, Sirenia know a thing or two about the style they play. Largely held in high regard for their symphonic/Gothic metal, they’re back once more with what is, I think, one of their Continue reading “Sirenia – Dim Days of Dolor (Review)”

Grausig – Di Belakang Garis Musuh (Review)

GrausigThis is the third album from this Indonesian death metal band.

Here we have a 30 minute feast of underground, ugly brutality inspired by the classic USDM sound. This is for fans of Suffocation, Deeds of Flesh, Dying Fetus, Origin and the like. Grausig pay homage to their heroes across this relatively short album by playing their death metal as brutally as they can. Continue reading “Grausig – Di Belakang Garis Musuh (Review)”

Crimson Moon – Oneironaut (Review)

Crimson MoonThis is the third album from this German-based black metal band.

This release is a solo affair, masterminded by just one talented individual and backed up by some guests.

Oneironaut is black metal with an epic, mystical, even cosmic, feel to it. The songs are on the lengthy end of the spectrum on average, (which for this kind of music is always something I like), culminating in Continue reading “Crimson Moon – Oneironaut (Review)”

Vermin Womb – Decline (Review)

Vermin WombVermin Womb are a blackened sludge/grind band form the US. This is their debut album.

Due to my love of their first EP Permanence, as well as all things Primitive Man and Clinging to the Trees of a Forest Fire, (who they share members with), this release has been highly anticipated by yours truly.

On Permanence Vermin Womb channelled the destructive essence Continue reading “Vermin Womb – Decline (Review)”

Soothsayer – At This Great Depth (Review)

SoothsayerSoothsayer are a doom band from Ireland. This is their latest release.

Soothsayer play atmospheric doom/sludge that thrives on dense, dark emotion and otherworldly atmospheres.

This is slow-building music that wields atmosphere like a wrecking ball, crushing everything around it with the sheer weight of oppressive mood and feeling. Continue reading “Soothsayer – At This Great Depth (Review)”

Ctulu – Ctulu (Review)

CtuluThis is the fourth album from German black metallers Ctulu.

I’m familiar with Ctulu from their second album Sarkomand, which was a savage album full of fast-paced blackened hatred.

Their latest release is similar in style, but more sophisticated and diverse in its scorn. This is still dark, aggressive music, of course, but there’s more nuance to the delivery in places alongside the more frenzied assaults. Continue reading “Ctulu – Ctulu (Review)”

Gridfailure – Further Layers of Societal Collapse (Review)

Gridfailure

Gridfailure is a one-man solo experimental project from the US. This is his latest EP.

Having been pleasingly surprised, impressed and enthralled with this year’s debut album from Gridfailure – Ensuring the Bloodline Ends Here – I was eagerly awaiting this release. With the exception of handful of releases, (Gensho being a notable one), I’m not hugely into this kind of thing normally, so to find an artist like this that I can really connect to is quite an unexpected treat. Continue reading “Gridfailure – Further Layers of Societal Collapse (Review)”