Fossilization are a Brazilian death metal band and this is their debut album.
Since first encountering Fossilization’s doomed death metal on their split with Ritual Necromancy, I have been looking forward to hearing more from the band. Now their debut Leprous Daylight is here; 37 minutes of foul death metal malevolence delivered to the unsuspecting masses. Continue reading “Fossilization – Leprous Daylight (Review)”
This is the eighth album from Canadian death metallers Cryptopsy.
New Cryptopsy! It’s been a while. When we last heard from them they had released two strong EPs, (2015’s The Book of Suffering – Tome I and 2018’s The Book of Suffering – Tome II), but now they’re back and ready to achieve their kill quotas. Continue reading “Cryptopsy – As Gomorrah Burns (Review)”
Valravn are a Finnish black metal band and this is their second album.
Featuring a current/ex-member of Altar of Betelgeuze/Cardinals Folly, The Awakening contains 44 minutes of expressive black metal. Continue reading “Valravn – The Awakening (Review)”
Dying Fetus are a US death metal band and this is their ninth album.
Ahh, Dying Fetus. Old reliable. And I mean that in the very best of ways. After all, they are one of the greatest death metal bands in the world, in my humble opinion. Let me make it clear from the very start – Make Them Beg for Death absolutely rules. Continue reading “Dying Fetus – Make Them Beg for Death (Review)”
This is the sixth album from UK metal band Sylosis.
Bringing together metalcore, thrash metal, melodic death metal, and a touch of progressive metal into their crunchy, punchy, modern metal framework, Sylosis have been doing good things with the style for many years now. A Sign of Things to Come provides us with a lean 43 minutes of new material, and finds the band on absolute fire. Continue reading “Sylosis – A Sign of Things to Come (Review)”
Slomatics are a doom metal band from the UK and this is their seventh album.
They’re heavy, they’re doomy, they’re Slomatics. This is a band that I really, really like. Haven’t heard them? As well as this new record, make sure you check out Future Echo Returns, Canyons, and their splits with Mammoth Weed Wizard Bastard/MWWB and Yanomamo. Continue reading “Slomatics – Strontium Fields (Review)”
This is the third album from Swedish sludge metal band Vak.
The Islands contains 50 minutes of progressive sludge metal. Taking in parts of doom, sludge, stoner, psychedelic, and progressive rock, Vak build musical structures that are unusual and impressive. Continue reading “Vak – The Islands (Review)”
This is the third album from French black metallers Loth.
Loth play a modern form of atmospheric black metal that nonetheless benefits from history’s tutelage. Across 41 minutes the band capably show what they’re capable of, and 616 is a rewarding album that fans of the style would do very well to spend some time with. Continue reading “Loth – 616 (Review)”
This is the third album from Greek melodic thrash/death metal band Bio-Cancer.
Strap yourself in and get ready for a wild ride. This isn’t the thrash metal of the 80s, although it’s absolutely influenced by it. Imagine early Kreator, only with increased intensity, and then throw in a energetic melodic death metal influence, and you’ll have a rough idea of where Bio-Cancer operate from. Continue reading “Bio-Cancer – Revengeance (Review)”
Broken Pillars are an Iranian black metal band, and this is their debut EP.
To start with I’m going to just lazily regurgitate some of the promo blurb for Of Pillars and Primordial Myth, as it sets the scene nicely for this EP – “Broken Pillars’ music can be described as the Persian response to Hellenic black metal. The songs contain slow yet deliberate doomy-sounding guitar riffing accompanied by grandiose symphonic arrangements. The music can be described as chants trying to reawaken an empire lost to the cruelties of time.” Continue reading “Broken Pillars – Of Pillars and Primordial Myth (Review)”
Wonderbox Metal 