Deathwhite are a melodic metal band from the US and this is their debut album.
Having enjoyed Deathwhite’s material on 2014’s Ethereal and 2015’s Solitary Martyr, I was pleased when their obvious talent was recognised by Season of Mist. I’ve enjoyed witnessing them develop as a band over the years, and now we finally have Continue reading “Deathwhite – For a Black Tomorrow (Review)”
Oceans of Slumber are a progressive metal band from the US and this is their third album.
I have only the briefest of familiarity with Oceans of Slumber, based on seeing just part of their set at the 2016 Damnation Festival. They impressed me, so it’s great to finally be able to properly listen to and absorb some of their recorded material. Continue reading “Oceans of Slumber – The Banished Heart (Review)”
Forming the Void are a progressive stoner/sludge metal band and Pyreship are a post-metal band, both are from the US.
Forming the Void open the split with a single six and a half minutes of pleasant and personable modern progressive stoner metal. Continue reading “Forming the Void/Pyreship – Split (Review)”
This is the third album from French progressive metal band Eryn Non Dae.
Has it really been 6 years since 2012’s Meliora was released? Admittedly I only discovered it in 2104, but still. Ye gods! Meliora was a hugely distinctive and individual release, one that made a strong impression with me and that I’ve enjoyed exploring and getting to know over the years. Continue reading “Eryn Non Dae – Abandon of the Self (Review)”
This is a split release between Tentation and Iron Slaught, who are both heavy metal bands from France.
Tentation start us off. I’m familiar with them from their enjoyable 2015 self-titled release, where they introduced the world to their 80s-influenced classic heavy metal style. Continue reading “Tentation/Iron Slaught – 665 Les Hordes Metalliques – Split (Review)”
Crypt Rot are a death metal band and Cringer are a crossover thrash band, both are from the US and they have teamed up for this split release.
Kicking us off with 11 minutes of very enjoyable Swedish-styled death metal is Crypt Rot. Continue reading “Crypt Rot/Cringe – Nocturnal Deterioration | Memento Mori – Split (Review)”
This is the fifth album from US sludge metal band Ilsa.
Ilsa are well-known around these parts for being prime suppliers of dirty, heavy, riff-driven kicking metallic sludge. 2015’s The Felon Claw and 2012’s Intoxicantations in particular were both huge, crushing records which still get regular rotation from yours truly. Continue reading “Ilsa – Corpse Fortress (Review)”
Vexes are a US modern/post-metal band and this is their debut album.
Although Deftones are the obvious starting point for comparative purposes, elements of The Unguided, Poison the Well, Glassjaw, and Cave In can also be heard in the band’s sound, as well as some more atypical moments in the style of, perhaps, Norma Jean, Between the Buried and Me, and Isis. Feelings of the late 90s/early 00s are strong with this band, and from my point of view that’s no bad thing at all. Continue reading “Vexes – Ancient Geometry (Review)”
Biter are a Brazilian heavy metal band and this is their debut album.
At only 22 minutes this is a rather brief listen for an album; why this is classed as a full length rather than an EP is beyond me, but I don’t suppose it matters in the grand scheme of things Continue reading “Biter – The Eyes of the Biter (Review)”
This is the debut album from Sacred Leather, a heavy metal band from the US.
Sacred Leather play true heavy metal that’s been augmented by some thrash elements for added bite. Continue reading “Sacred Leather – Ultimate Force (Review)”
Wonderbox Metal 