Ilienses Tree are an Italian death/doom metal band and this is their debut album.
After really enjoying 2017’s Edda, it’s good to now have a full length from Ilienses Tree. Continue reading “Ilienses Tree – Till Autumn Comes (Review)”
Ilienses Tree are an Italian death/doom metal band and this is their debut album.
After really enjoying 2017’s Edda, it’s good to now have a full length from Ilienses Tree. Continue reading “Ilienses Tree – Till Autumn Comes (Review)”
This is the debut album from one-man Swedish doom metal band Blissful Stream.
It seems like an age since Blissful Stream first appeared in 2016 with Ascending Demons, which impressed with its lo-fi rocky take on doom metal. The next two years saw a release every year, (Devil’s Night to All Souls – Split with Lightsabres, and Dead Religious), and then a quiet 2019. This was apparently due to the artist building up to his fist full length, which we are now lucky enough to have in 2020. Continue reading “Blissful Stream – When the Wolves Start to Circle (Review)”
This is the debut album from US doom band Frayle.
I enjoyed 2018’s The White Witch, which was a hugely impressive entrance into the doom metal scene. We now have the band’s first full length album, and across 37 minutes the band prove that their first EP was no fluke. Frayle have got a real talent for their charismatic and atmospheric form of doom. Continue reading “Frayle – 1692 (Review)”
This is the debut album from UK doom metallers Godthrymm.
Featuring ex-members of bands such as Anathema, My Dying Bride, Solstice, and Vallenfyre, there’s a wealth of experience underpinning this release, and it’s used well. Continue reading “Godthrymm – Reflections (Review)”
This is the eighth album from French doom metallers Monolithe.
Monolithe can do no wrong in my humble opinion. Across many releases, (here, here, here, here, here, and here, for example), the band have consistently delivered the sort of quality, engrossing doom metal that just keeps drawing you back no matter how much time you give it. Okta Khora is no different in this regard. Continue reading “Monolithe – Okta Khora (Review)”
[ B O L T ] are a drone/doom band and Morasth are a doom/post-metal band, both are from Germany.
[ B O L T ] offer a single track and start us off on this split with the 21-minute [ 0 6 ]. Continue reading “[ B O L T ]/Morasth – [ B O L T ] vs. Morasth – Split (Review)”
This is the fifth album from Grey Skies Fallen, a progressive/melodic doom band from the US.
I enjoyed The Many Sides of Truth from 2014, so this new release is well-received. Continue reading “Grey Skies Fallen – Cold Dead Lands (Review)”
Body Void and Keeper are both US doom/sludge bands, and they have teamed up to deliver this split.
Both Body Void, (I Live Inside a Burning House/You Will Know the Fear You Forced upon Us), and Keeper, (Split with Sea Bastard/The Space Between Your Teeth/Split with Old Witch), have Continue reading “Body Void/Keeper – Split (Review)”
This is the debut album from Megalith Levitation, a Russian stoner/doom band.
There’s only four songs on this album, but with a total duration of 77 minutes, Acid Doom Rites is a whopper. Continue reading “Megalith Levitation – Acid Doom Rites (Review)”
This is the second album from Third Island, an Irish post-metal band.
Dusk and Omelas showed a band developing and growing into their style well, and Unspeakable is the latest chapter in their continued journey. Continue reading “Third Island – Unspeakable (Review)”