This is the seventh album from Norwegian doom/stoner metal band Kal-El.
Hot on the heels of Astral Voyager Vol. 1 from last year, Kal-El have now returned with the promised second instalment of this double album. Astral Voyager Vol. 2 brings us 43 minutes of new material, so get ready to rock. Continue reading “Kal-El – Astral Voyager Vol. 2 (Review)”
This is the fifth album from US death/doom band Temple of Void.
It’s safe to say I’m a fan of Temple of Void. I’ve thoroughly enjoyed all of the band’s albums, (Of Terror and the Supernatural, Lords of Death, The World That Was, and Summoning the Slayer), bought the t-shirt, and one day hope to catch them live. Until then, we have a brand spanking new record to eagerly devour – The Crawl, which Continue reading “Temple of Void – The Crawl (Review)”
Aufhebung are a Belgian post-metal band and this is their second album.
Playing post-metal that brings together elements of doom, sludge, and post-rock, Aufhebung have crafted 48 minutes of material on Luchtbegrafenis. As a first encounter with Aufhebung, it’s Continue reading “Aufhebung – Luchtbegrafenis (Review)”
This is the third album from Greek post-metal band Unverkalt.
2023’s A Lump of Death: A Chaos of Dead Lovers was as a surprise hit in this household, so seeing Héréditaire appear on the mighty Season of Mist label was most welcome. This is not the same Unverkalt we encountered previously though, not completely; this is something darker. Continue reading “Unverkalt – Héréditaire (Review)”
Matador are a post-metal band from the UK and this is their third album.
Matador play a compelling mix of post-metal, doom, sludge, and post-rock. That’s a lot of tags, but the music brings them together quite seamlessly. Above, Below, and So contains 42 minutes of material, and it’s a record that Continue reading “Matador – Above, Below, and So (Review)”
This is the debut album from Italian blackened doom band Dwellnought.
Dwellnought play hideous, lightless doom that’s soaked in black metal’s corrosive acids. Monolith of Ephemerality is a 47-minute nightmare, one that drowns the listener in Continue reading “Dwellnought – Monolith of Ephemerality (Review)”
This is the third album from Ingrina, a post-metal band from France.
So what do we have here then – a band who are described as a mix of post-metal and post-hardcore? One who are compared to Cult of Luna, Russian Circles and Year of No Light? With some striking album art to boot? Yep, it was impossible for me to resist sampling Ingrina’s wares. Continue reading “Ingrina – Nåværende Lys (Review)”
Serpent Ascending, Ôros Kaù, Swords of Dis, and Midnight Odyssey have joined together to produce an epic split album.
Now here’s an interesting and unusual release. This massive split is a collaborative concept album aimed at providing a contemporary retelling of the Epic of Gilgamesh. From the Waters of Death brings together an array of atypical talent from the exceptional I, Voidhanger roster, and is something you should definitely be paying attention to if Continue reading “Serpent Ascending, Ôros Kaù, Swords of Dis, and Midnight Odyssey – From the Waters of Death – Split (Review)”
This is the debut album from Swiss post-metal band De l’Abîme Naît l’Aube.
De l’Abîme Naît l’Aube play post-metal that’s laced with elements taken from post-rock and blackgaze, alongside ritualistic influences. Think a mix of bands such as Alcest, Amenra, Vermilia, and Year of No Light, and you’ll be part of the way there. Across 53 minutes Continue reading “De l’Abîme Naît l’Aube – Rituel : Initiation (Review)”
This is the fourth album from US black/death/doom act Worm.
In many quarters Necropalace is a big deal. Through a range of EPs, splits, and albums, (such as Foreverglade and Bluenothing), Worm have continued to develop and grow over the years, essentially Continue reading “Worm – Necropalace (Review)”
Wonderbox Metal 