This is the second album from US black/death metallers Haunter.
Sacramental Death Qualia is a mutant, constantly-shifting hybrid of progressive black/death metal. Mixing impenetrable dissonance with grim blackened melody and classic progressive beauty, the music combines darkness and light in such way that it can be almost jarring on Continue reading “Haunter – Sacramental Death Qualia (Review)”
This is a live album from Winterfylleth, a black metal band from the UK.
Winterfylleth are one of those bands that I always think I should have gotten around to listening to by now, but never have. As such, this live album seemed like as good a place as any to sample their wares. Containing five live tracks taken from the band’s first four albums, and a synth version of a track off their second album The Mercian Sphere, we are overall presented with 49 minutes of material in its entirety. Continue reading “Winterfylleth – The Siege of Mercia: Live at Bloodstock Festival 2017 (Review)”
Asagraum are an international black metal band and this is their second album.
After 2017’s enjoyable Potestas Magicum Diaboli, Asagraum are now back with another 46 minutes of second wave black metal worship. Continue reading “Asagraum – Dawn of Infinite Fire (Review)”
Runespell is a solo black metal band from Australia, and this is his third album.
I’ve enjoyed both Unhallowed Blood Oath and Order of Vengeance, and now this new album, hot on the heels of the previous one, has arrived to sate my never-ending thirst for black metal. Continue reading “Runespell – Voice of Opprobrium (Review)”
This is the debut album from Canadian black metallers Eclipser.
This is black metal played with dark brutality and dissonant intensity. It’s a blackened hybrid that focuses more on black metal than anything else, but still finds time to incorporate death metal elements into itself with a voracious hunger. It’s Continue reading “Eclipser – Pathos (Review)”
This is the second album from Aludra, a black metal band from the US.
This is cosmic-themed black metal, raw and hostile. The album features the vocalist of Ancient Hostility, and her piercing shrieks ring out from the music in streaks of colourless power. Her performance is enjoyable and forceful, providing the songs Continue reading “Aludra – Mass Stellar Graves (Review)”
Unmensch is a one-man Belgian black metal band and this is his debut album.
Scorn contains 49 minutes of old-school black metal that almost sounds like it could have come straight out of the second wave in the 90s. Continue reading “Unmensch – Scorn (Review)”
This is the second album from Orm, a Danish black metal act.
Containing just two songs, yet lasting 47 minutes in total, Ir is a bold statement of both ambition and competence from Orm. Continue reading “Orm – Ir (Review)”
Polemicist are a black/death metal band from the US and this is their debut album.
Polemicist mix black and death metal with a heavy metal influence, to create songs that have an epic feel, but without the epic lengths. Continue reading “Polemicist – Zarathustrian Impressions (Review)”
This is the fourth album from US black metallers Crimson Moon.
This is the follow up to 2016’s Oneironaut, which I enjoyed so much that it placed on my end of year list for that year. Mors Vincit Omnia contains 54 minutes of music spread out over 8 tracks. This time the band’s mastermind has a main group of three, including himself, along with guest drums, (Aosoth/Antaeus), and several guest vocalists, (Absu, Archgoat, Demoncy, Kawir). Continue reading “Crimson Moon – Mors Vincit Omnia (Review)”
Wonderbox Metal 