Asarhaddon are a black metal band from Germany and this is their debut album.
This is music that takes the melodic and atmospheric aspects of black metal and uses them wisely, crafting songs that have emotional weight and textured appeal. Continue reading “Asarhaddon – Reysa (Review)”
Baume is a one-man post-black metal band from France, and this is his latest release.
I really liked 2018’s Les Années Décapitées, so Un Calme Entre les Tempêtes is very well-received. Containing just three tracks, we get 28 minutes of material to absorb us. Un Calme Entre les Tempêtes is more experimental in flavour than Les Années Décapitées, but suffers no significant deficit in the quality department because of this. Continue reading “Baume – Un Calme Entre les Tempêtes (Review)”
Enevelde is a one man Norwegian black metal band, and this is his debut album.
Containing 36 minutes divided up into four tracks, this is an album of atmospherically-enhanced melodic aggression, filled with emotive delivery and compelling songwriting. Continue reading “Enevelde – Enevelde (Review)”
Mazikeen are an Australian black metal band. This is their debut album.
There’s 78 minutes of material here, spread out over 12 tracks. The main album consists of the first eight songs, with the final four being bonus covers of Mayhem, Dissection, Dimmu Borgir, and Darkthrone songs. Continue reading “Mazikeen – The Solace of Death (Review)”
From the Vastland is an Iranian/Norwegian black metal band and this is their sixth album.
We’re familiar with From the Vastland’s work – both 2016’s Chamrosh and 2018’s Daevayasna were enjoyable examples of classic blackened fury. The Haft Khan provides us with another seven songs in a similar vein; 46 minutes of new material to enjoy. Continue reading “From the Vastland – The Haft Khan (Review)”
Árstíðir Lífsins are an international, (Germany/Iceland), black metal band, and this is their fifth album.
Here we have 74 minutes of pagan black metal, incorporating elements of the atmospheric, folk, and ambient styles. Continue reading “Árstíðir Lífsins – Saga á tveim tungum II: Eigi fjǫll né firðir (Review)”
This is the third album from US black metallers Feral Light.
Feral Light play a mix of black metal and post-metal, with touches of doom and hard rock. Life Vapor offers up 39 minutes of easily-digested blackness. Continue reading “Feral Light – Life Vapor (Review)”
Afsky is a one-man Danish black metal band and this is his second album.
Ofte Jeg Drømmer Mig Død is the follow up to the very enjoyable Sorg from 2018, and contains 46 minutes of new material. Mixing small parts of folk and doom into a traditional black metal approach, this is a melancholic and emotive take on the blackened style. Continue reading “Afsky – Ofte Jeg Drømmer Mig Død (Review)”
Winterfylleth are a UK black metal band and this is their seventh album.
My first introduction to Winterfylleth was with last year’s The Siege of Mercia, which I really enjoyed. As such, I knew I had to check out The Reckoning Dawn when it appeared. Continue reading “Winterfylleth – The Reckoning Dawn (Review)”
This is the tenth album from Forgotten Tomb, an Italian black/doom/sludge metal band.
2015’s Hurt Yourself and the Ones You Love and 2017’s We Owe You Nothing are both favourites of mine, so it’s great to have some new work from Forgotten Tomb, especially something as well-wrought as Nihilistic Estrangement. Continue reading “Forgotten Tomb – Nihilistic Estrangement (Review)”
Wonderbox Metal 