Forsmán – Dönsum i Logans Ljóma (Review)

Forsman - Dönsum i Logans LjómaThis is the debut EP from Icelandic black metallers Forsmán.

Forsmán play melodic black metal that’s potent and cold. There are four tracks here with a total duration of 25 minutes, and it makes for a quality first foray into the world. Continue reading “Forsmán – Dönsum i Logans Ljóma (Review)”

Scitalis – Awakening (Review)

Scitalis - AwakeningThis is the debut EP from Swedish black metallers Scitalis.

Scitalis display a controlled aggression and boast a potent melodic streak. This EP is 29 minutes long and is a great opportunity to experience the spirit and talent of a promising new band’s first creation. Continue reading “Scitalis – Awakening (Review)”

Wode – Burn in Many Mirrors (Review)

Wode - Burn in Many MirrorsThis is the third album from UK black metallers Wode.

Burn in Many Mirrors contains 39 minutes of furiously potent blackened aggression.

Wode mix in elements of death metal into their blackened brew, allowing them to beef up their Continue reading “Wode – Burn in Many Mirrors (Review)”

Nordicwinter – Sorrow (Review)

Nordicwinter - SorrowThis is the fourth album from Canadian one-man black metal act Nordicwinter.

After enjoying 202’s Desolation, I was pleased to see another work from this artist so quickly. Sorrow contains 53 minutes of atmospheric/depressive black metal. Continue reading “Nordicwinter – Sorrow (Review)”

Decline of the I – Johannes (Review)

Decline of the I - JohannesThis is the fourth album from French post-black metallers Decline of the I.

After enjoying 2015’s Rebellion and 2018’s Escape, when Johannes appeared I knew I had to sample its dark wares. Armed with a new lineup formed around the band’s core artist, Johannes is a 51-minute journey into thoughtful mood-driven darkness.

These new songs are layered explorations of post-blackened detail and nuanced soundscapes. The music is multifaceted and textured, drawing in a range of influences to build on the band’s black metal foundations. The five songs on Johannes are each masters of their own creation, while still fitting into the whole, and provide the listener with a creative and rich landscape to explore.

Each song boasts a lot of content, with a wealth of good ideas and enriching sounds ably showcased by the band. There’s an epic streak to Decline of the I’s music, more apparent than ever in their latest work. Sometimes it’s hidden in plain sight, while at others it ascends to malevolent prominence. Either way, a certain amount of majestic grandeur is ever-present in the music, and it works very well indeed.

The band’s ability to blend sharp aggression with menacing atmosphere is very effective. I really like the use of guitars on this release. Some of of the riffs and blackened rhythms feel like they cut to the core, and combined with the skilful and inventive use of melodies, contribute to the thoroughly enjoyable and satisfying musical experience that these five songs offer. Lighter moments appear, balancing the blackened heaviness of the distorted sections. Existing somewhere between post-rock, jazz, and experimental atmospheric ambient minimalism, these parts may not be too common, but they add value to the songs.

Piercing screams are joined by darker growls and choral accents. The singers all do a great job, and, like the music, the vocals are very accomplished.

Despite how much I enjoyed both Rebellion and Escape, I think that Johannes is probably Decline of the I’s richest, most complete and well-realised work to date.

Very highly recommended.

Udånde – Life of a Purist (Review)

Udånde - Life of a PuristThis is the debut album from Udånde, a solo black metal band based in Slovakia, augmented by as session vocalist and drummer.

Now here’s an album to thoroughly scratch that modern black metal itch. Life of a Purist is atmospheric and melodic, without being entirely beholden to either Continue reading “Udånde – Life of a Purist (Review)”

Fuath – II (Review)

Fuath - IIThis is the second album from Fuath, a one-man UK black metal band.

Here we have 42 minutes of atmospheric black metal in the vein of the 90s second wave. The promo blurb mentions bands such as Darkthrone, Mayhem, Burzum, Drudkh, and Windir, and these influences are well-represented Continue reading “Fuath – II (Review)”

Aara – Triade I: Eos (Review)

Aara - Triade I EosThis is the third album from Swiss black metallers Aara.

The melodic and atmospheric forms of black metal collide and collude on Triade I: Eos to produce 45 minutes of concept-themed music. Continue reading “Aara – Triade I: Eos (Review)”

Mare Cognitum – Solar Paroxysm (Review)

Mare Cognitum - Solar ParoxysmThis is the fifth album from one-man black metal band Mare Cognitum.

The artist behind Mare Cognitum is one of the absolute best in the genre when it comes to atmospheric black metal. I’ve had the pleasure of reviewing Phobos MonolithLuminiferous Aether, and last year’s colossal Wanderers: Astrology of the Nine – Split with Spectral Lore, and his stellar Continue reading “Mare Cognitum – Solar Paroxysm (Review)”

Midnight Odyssey – Biolume Part 2 – The Golden Orb (Review)

Midnight Odyssey - Biolume Part 1 - The Golden OrbThis is the sixth album from Australian one-man black metal act Midnight Odyssey.

The second part in a trilogy, (the first part being 2019’s exceptional Biolume Part 1 – In Tartarean Chains), Biolume Part 2 – The Golden Orb contains a massive 102 minutes of material.

On his latest Continue reading “Midnight Odyssey – Biolume Part 2 – The Golden Orb (Review)”