This is the sixth album from Swiss black metal band Aara.
A new Aara album is always a cause for celebration. I’ve been a big fan of everything they’ve put out so far, (check out Triade I: Eos, Triade II: Hemera, and Triade III: Nyx), so expectations are high for Eiger. Continue reading “Aara – Eiger (Review)”
This is the second album from UK black metallers Heathen Deity.
Brought to us by current and ex-members of Hecate Enthroned, Helvellyn, Nefarious Dusk, and Skiddaw, Satan’s Kingdom contains 59 minutes of old-school Satanic black metal, although of a more expressive and higher quality than you typically find in the wild. Continue reading “Heathen Deity – Satan’s Kingdom (Review)”
Wolvencrown are a black metal band from the UK and this is their second album.
After 2019’s very enjoyable Of Bark and Ash, Wolvencrown have now returned with the majestic Celestial Lands. Bigger, better, and more ambitious, the Wolvencrown of 2024 is a formidable force. Continue reading “Wolvencrown – Celestial Lands (Review)”
Pestilent Hex are a black metal band from Finland and this is their second album.
After 2022’s enjoyable The Ashen Abhorrence, Pestilent Hex have now returned with the 46-minute Sorceries of Sanguine & Shadow. Continue reading “Pestilent Hex – Sorceries of Sanguine & Shadow (Review)”
This is the third album from UK black metal act Ante-Inferno.
Following on from 2022’s Antediluvian Dreamscapes comes Death’s Soliloquy, which contains 47 minutes of new material. It’s Ante-Inferno’s longest album, but also their most engaging and well-realised. Continue reading “Ante-Inferno – Death’s Soliloquy (Review)”
This is the fourth album from UK black metallers Burial.
I haven’t caught up with Burial since their 2016 album Unholy Sedition, so it is high time I did once more. Featuring in their ranks members of Cairns, Foetal Juice, and Wolfbastard, Burial know what they’re doing with their music, and Rejoice in Sin delivers 40 minutes of raw iciness for the listener to get frozen by. Continue reading “Burial – Rejoice in Sin (Review)”
Still are a post-black metal band from the UK and this is their second album.
Still boast a fierce, ugly sound that’s equal parts black metal, sludge, and hardcore, resulting in a post-blackened 35-minute burst of punishment that’s damaging, yet moreish. The more Still scar and brutalise you, the more you want more. Continue reading “Still – A Theft (Review)”
This is the second album from French black metal solo act Time Lurker.
It has been a long time since Time Lurker’s 2017 self-titled debut, but now we have 34 minutes of new material in the form of Empise. The artist behind Time Lurker is joined on this new album by a vocalist who howls her way through the songs with impassioned intensity. Continue reading “Time Lurker – Emprise (Review)”
This is the fourth album from German black metallers Sun Worship.
Brought to us by a member of both the mighty Ultha and Unru, Upon the Hills of Divination contains 41 minutes of modern black metal. Hold on tight and prepare yourself, as this one’s a special one. Continue reading “Sun Worship – Upon the Hills of Divination (Review)”
This is the third album from Swiss black metal solo band Paysage D’Hiver.
Die Berge contains a colossal 103 minutes of atmospheric/ambient black metal for the listener to feast upon greedily. The artist behind Paysage D’Hiver has created an album to fall deeply into, never to return. Continue reading “Paysage D’Hiver – Die Berge (Review)”
Wonderbox Metal 