This is the second album from Polish solo post-black metal band Miasme.
Keep Them at a Distance contains 43 minutes of engaging music. The artist behind Miasme convinces easily with a striking display of hybrid blackened post-metal that feels very contemporary, yet also timeless in its flavour. Continue reading “Miasme – Keep Them at a Distance (Review)”
This is the seventh album from one-man German black/doom metal metal band The Ruins of Beverast.
For some reason it feels like an age since The Thule Grimoires came out, but it was only actually 2021. As such, the arrival of Tempelschlaf feels like an occasion of note. The artist behind The Ruins of Beverast has amassed a great deal of experience and renown across his career – can Tempelschlaf keep the momentum going? Continue reading “The Ruins of Beverast – Tempelschlaf (Review)”
This is the sixth album from Ellende, a solo black metal band from Austria.
Following on from 2024’s Todbringerin, Zerfall contains 52 minutes of new material. The artist behind Ellende specialises in post-black metal that uses blackgaze elements to produce emotive, mood-focused music. Continue reading “Ellende – Zerfall (Review)”
This is the third album from Fuath, a one-man UK black metal band.
I enjoyed 2020’s II, so the appearance of III is a most welcome sight. Brought to us by the artist behind Saor, this is old-school black metal with an atmospheric focus. III contains four songs and clocks in at 43 minutes in total duration. Continue reading “Fuath – III (Review)”
Nemorous are a UK black metal band and this is their debut album.
What Remains When Hope Has Failed has been a long time coming for yours truly. Arising from the ashes of the mighty Wodensthrone, Nemorous gave us their self-titled debut EP in 2021, and it was gloriously good. I then had the privilege of seeing them play this release live a couple of years ago when they played with Continue reading “Nemorous – What Remains When Hope Has Failed (Review)”
Dimholt are a Bulgarian black metal band and this is their third album.
I enjoyed 2014’s Liberation Funeral and 2019’s Epistēmē – I had thought I reviewed the latter too, but apparently not. Which brings us to Metaform; 52 minutes of quality and enjoyable black metal. Continue reading “Dimholt – Metaform (Review)”
This is the debut album from international, (Iceland/US), black metallers Martröð.
Martröð is brought to us by current/ex-members of Chaos Moon, Häxanu, Osgraef, Ringarë, Manetheren, Vörnir, Wormlust, and a whole lot more. Draumsýnir Eldsins contains four songs spread over 37 minutes, and takes the listener on a journey into spectral dissonance. Continue reading “Martröð – Draumsýnir Eldsins (Review)”
Argus Megere are a Romanian black metal band and this is their fifth album.
Cerburea Apusului is the long awaited follow up to 2017’s VEII. It may have been a while since their last record, but Argus Megere have certainly not aged poorly. There’s a lot to absorb across Cerburea Apulsului. This is an album that’s easy to enjoy upon first experience, but it really settles into its own natural rhythms after repeated spins. Continue reading “Argus Megere – Cerburea Apusului (Review)”
This is the debut album from French post-black metallers Jours Pâles.
Jours Pâles have been a band to not miss out on ever since 2021’s delectable Éclosion. Followed swiftly in 2022 by Tensions and then again in 2024 with Dissolution. With 58 minutes of new material to captivate and entrance the listener with, Résonances is another winner from Jours Pâles. Continue reading “Jours Pâles – Résonances (Review)”
Enthroned are a black metal band from Belgium and this is their twelfth album.
Following on from 2014’s Sovereigns and 2019’s Cold Black Suns, a new Enthroned album has now appeared on the horizon. Ashspawn boasts 50 minutes of new music from Enthroned, and it has not disappointed. Continue reading “Enthroned – Ashspawn (Review)”
Wonderbox Metal 