Void Witch are a death metal band from the US and this is their debut album.
Void Witch play malevolent death/doom, and Horripilating Presence contains 39 minutes of the sort of material that could crush mountains flat. Continue reading “Void Witch – Horripilating Presence (Review)”
Skelethal are a French death metal band and this is their third album.
Skelethal play classic death metal and unleash 40 minutes of carnage across Within Corrosive Continuums. Built upon a sturdy foundation of old-school Swedish death metal, the music is forged from iron and molten lava. Continue reading “Skelethal – Within Corrosive Continuums (Review)”
This is the third album from US death metal band Obscene.
I enjoyed 2020’s The Inhabitable Dark and 2022’s …From Dead Horizon to Dead Horizon, so knew that Agony & Wounds was destined for my earholes. Obscene vomit forth 42 new minutes of material on this new platter, and if you liked their earlier stuff, then you should very much like this too. Continue reading “Obscene – Agony & Wounds (Review)”
This is the fourth album form Spanish death metallers Aposento.
I enjoyed 2014’s Aposento and 2017’s Bleed to Death, although I missed 2020’s Conjuring the New Apocalypse. Aposento are now back, with an almost entirely new lineup, and 34 minutes of music in the form of the muscular No Safe Haven. Continue reading “Aposento – No Safe Haven (Review)”
This is the second album from US death metallers 200 Stab Wounds.
With a name like 200 Stab Wounds, you know this is going to be brutal, and if you weren’t sure, then the album cover would surely confirm it. Manual Manic Procedures contains 29 minutes of bloodthirsty cruelty, and if you’re a death metal fan then it’s an easy album to enjoy getting punched around by. Continue reading “200 Stab Wounds – Manual Manic Procedures (Review)”
This is the third album from Hyperdontia, an international death metal band.
Harvest of Malevolence is the 40-minute follow up to 2021’s very enjoyable Hideous Entity, which made it onto my end of year list. Hyperdontia seem to just be getting better and better, and Harvest of Malevolence is another win for this skilled death metal act. Continue reading “Hyperdontia – Harvest of Malevolence (Review)”
This is the third album from US death metallers Gatecreeper.
Gatecreeper are always a reliable source of crushing old-school death metal carnage. Both 2016’s Sonoran Depravation and 2019’s Deserted were solid slabs of heaviness, (I also really enjoyed their 2018 split with Iron Reagan), so checking out the 37-minute Dark Superstition was mandatory. Continue reading “Gatecreeper – Dark Superstition (Review)”
Unearthly Rites are a Finnish death metal band and this is their debut album.
Here’s some nasty death metal for you to clog up your pores. Ecdysis is a sludge factory of old-school death metal that really brings out the filth in the style. Across 34 minutes Unearthly Rites spread their disease with convincing menace and a swamp’s worth of heaviness. Continue reading “Unearthly Rites – Ecdysis (Review)”
Coffin Curse are a death metal band from Chile and this is their second album.
The Continuous Nothing is the 43-minute follow up to 2020’s Ceased to Be, and builds upon that album’s solid foundations. Coffin Curse are easy to enjoy if you are a fan of 90s-influenced death metal. Continue reading “Coffin Curse – The Continuous Nothing (Review)”
Necrot are a death metal band from the US and this is their third album.
2020’s Mortal was an enjoyable slab of old-school death metal carnage, and now Necrot are back to reap more limbs with the 40-minute Lifeless Birth. It’s a step up a level for Necrot, one you must listen to if you’re a fan of bands such as Gatecreeper, Bolt Thrower, Undeath, Incantation, Blood Red Throne, Autopsy, Grave, Tomb Mold, Outer Heaven, Genocide Pact, etc. Continue reading “Necrot – Lifeless Birth (Review)”
Wonderbox Metal 