Neurosis – Page 12 – Wonderbox Metal

Crowhurst – II (Review)

Crowhurst are from the US, and are an extremely prolific band with lots of noise/experimental/etc. releases. Their self titled album from 2015 was especially of interest, as it was essentially a pure black metal album, and a very good one at that.

Fast forward a year, and they have now released II. This continues the black metal theme started by their previously mentioned album, only this time with a wider scope and with industrial/sludge aspects, as well as contributions from members Continue reading “Crowhurst – II (Review)”

Wren – Host (Review)

Wren are a post-metal/sludge band from the UK. This is their latest EP.

We know Wren from their very enjoyable split with Irk, and I was eager to catch up with their latest release to see how the band are progressing.

The answer seems to be that they are progressing very well, thank you.

These tracks continue to Continue reading “Wren – Host (Review)”

Vidian – A Piece of the End (Review)

Vidian are from Poland and play post-metal. This is their latest EP.

I enjoyed Vidian’s second album Transgressing the Horizon. On this release the band showcased their experimental blend of post-, progressive, modern and even death metal, coming across as a kind of post-death metal band that could be compared to a band like Gorguts if they really started to follow Cult of Luna down the post-metal path.

On this new EP Vidian continue Continue reading “Vidian – A Piece of the End (Review)”

Solifvgae – Avenoir (Review)

This is the début album from Brazilian Post-Black Metal band Solifvgae.

Solifvgae take the harshness of the core of Black Metal and wrap it up in Post-Metal reflection and exploration, making for an album that spreads itself across two worlds, taking in both aspects in equal measure. It’s almost a band of two parts, as the heavy bits are sharp and concise, while the more progressive/exploratory sections are wandering and expansive.

Continue reading “Solifvgae – Avenoir (Review)”

Camel of Doom – Terrestrial (Review)

This is the fourth album from UK Doom Metal band Camel of Doom.

This unusually named band play experimental Doom Metal that contains elements of Progressive Rock, psychedelia and a bit of Sludge Metal alongside the usual genre trappings. Continue reading “Camel of Doom – Terrestrial (Review)”

Hemelbestormer – Aether (Review)

Hemelbestormer are a Post-Metal band from Belgium. This is their debut album.

Hemelbestormer are an instrumental band and they have created a sweeping epic of an album with four long, sprawling tracks lasting a total of 60 minutes.

Here we have an interesting and involved merging of different styles that are similar enough to get along well, resulting in the quite monolithic Aether.

Post-Metal, Doom and Sludge Metal are the main ingredients. The swirling Doom/Sludge claustrophobia of some of Neurosis’ more abrasive work is met by the expansive Post-Metal that the likes of Isis did so well. This is alongside elements of the heavier work of Pelican, with even some Post-Rock sensibilities of a band like Russian Circles getting a look in too.

The tracks take the listener on a journey through exploratory soundscapes and the Post-Metal build/release mechanic is artfully used throughout.

Aether is as heavily atmospheric as you can probably imagine, but in contrast to some bands that play this style, (especially, it seems, instrumental ones), Hemelbestormer are not afraid to let the distortion properly kick in and get really huge and heavy with the guitars. This pleases me greatly.

I love music that you can truly get lost and absorbed in and this is definitely one such album. Some instrumental bands can easily lose focus due to the lack of a singer, I find, but Hemelbestormer really don’t suffer from that problem. The music is detailed and nuanced enough to keep you coming back to it, but as mentioned previously, they know when to take things up a notch with the heavy guitars at just the right moments.

Very impressive. Take the time to listen to this.

Attan – From Nothing (Review)

Attan are from Norway and play Hardcore/Post-Hardcore. This is their début EP.

Coming across as an unholy mix of bands like Vision of Disorder, Will Haven, Converge and Neurosis, Attan are heavy and intense.

This music is dark and visceral, containing a primal rage and destructive intensity. The songs are passionate exemplars of heaviosity that pay tribute to their influences while making their own way down the ill-lit avenues of dark Hardcore; Continue reading “Attan – From Nothing (Review)”

The Nepalese Temple Ball – Arbor (Review)

The Nepalese Temple Ball are a UK Post-Metal band and this is their début album.

Combining elements of bands such as Neurosis, Light Bearer, (who they share a member with), Isis, Converge and No Anchor, The Nepalese Temple Ball have created over an hour’s worth of exploratory, expansive music on Arbor.

This is a diverse album that’s full of different influences and styles, all collected under the widely variable Post-Metal umbrella. Doom, Progressive Metal, Hardcore/Post-Hardcore, Sludge, Psychedelia…even a hint of Black Metal…these are all gathered by the band and melted down to form the songs on Arbor. They have a wealth of skill at doing this, it seems, and Arbor is much more accomplished than it probably should be for a début album.

Lots of different moods and feelings are covered, but the overall impression for me is one of a strange apocalyptic landscape where the world is drowning a chaotic, messy death.

This is music that’s non-standard, atypical and not afraid at all to do its own thing. The band are clearly walking the path that they want to and should be commended for doing this and exploring such rich musical possibilities. This has resulted in a quality album full of interesting areas to explore, with plenty of diversity and depth to attract and hook the listener. This is assuming you like challenging, interesting music of course. If all you’re after is more of the same, then move along now.

Highly recommended.

Dead to a Dying World – Litany (Review)

Dead to a Dying World are a Blackened Doom band from the US and this is their second album.

Featuring a wealth of instruments and influences, this is an epic album that lasts 73 minutes and takes the listener on a tour of all of the dark places.

The bedrock of the band’s sound is grim, murky Black Metal; this immediately differentiates them from some other Blackened Doom bands as usually the style is predominantly Doom with added Blackness; here it’s a good mix of two, probably leaning towards the Black Metal side of the equation a little more overall. There’s plenty of serrated Blackened parts to keep the blood pumping.

Elements of Crust, Post-Metal and pure Doom work their magic in among the blood-fed trees of the Black Metal forest in which the music grows. Litany is powerful, wonderful, ambitious and terrifying in equal measure. Taking aspects of bands like Hope Drone, Neurosis, Wolves in the Throne Room, Myrkur, Usnea, Nux Vomica, Bergthron, Lycus and a whole host of others, this is an impressive body of music that brings something different to the table with each track, all within the established framework of the band.

Sharp Blackened screams are juxtaposed with softer cleans, both male and female. Dark growls populate the undergrowth and harsh, rolling shouting stabs in like spikes. Guest vocals appear throughout the album, making the entire performance varied and interesting for the listener.

The overall feeling is one of a refined, sombre misery. Viola and other instruments give the music an additional air of sophistication and Dead to a Dying World are nothing if not accomplished at the spells they weave; the band are adept at creating thick atmospheres and dark moods.

The recording has a sickly, unnatural warmth to it, like something alive that shouldn’t be. It’s soft when it needs to be and roiling, churning and destructive at other times.

This is a long, involving and emotive listen that builds, crests and waves through the six tracks like a dark tsunami, crushing and destroying yet followed by calm and retrospection, reflecting on all that has been lost.

A very special album.

Angakok – Angakok (Review)

Angakok are a Sludge band from Belgium, and this is their début album.

Angakok play Sludge/Doom mixed with moments of Drone/Ambient respite.

This is Neurosis-inspired Doom that’s nicely heavy when it needs to be. Mix the Neurosis influence with that of, say, Zatokrev and you have an album that, (slowly), stomps over everything around it.

The Ambient and lighter moments give the album some shading, but the heavier side of the band is the main event; these asides are essentially delaying the heaviness so that when it returns it sounds even more immense.

The music really takes Doom to its black heart; the heavy guitars are slow and crushing, although they do pick up the pace when necessary. There are some good, winding melodies used on these songs and the mood of despondency and bleakness never ends.

The songs are darkly enjoyable, and it’s a collection of tracks that make for a engaging journey with the band.

The vocals are anguished, drawn-out screams, not dissimilar to those used in Neurosis. The style sounds a natural fit with the Sludgy guitars and the performance is not one to find fault with.

The album is well-recorded and seems to be able to be both murky and clear at the same time. It suits the band’s style and the music benefits from it.

I enjoy music like this, especially from a band like Angakok as they clearly know the genre inside out.

Check them out.