Cough – Still They Pray (Review)

CoughThis is the third album from Cough, a doom metal band from the US.

Cough. It’s a funny name for a band. Still, I’ve heard worse, a lot worse.

If you’re a fan of bands like Yob, Electric Wizard, Sleep, Candlemass and the like, then you’ll probably already know that Cough create the kind of repetitive, hypnotic doomscapes that you’re gonna love. Continue reading “Cough – Still They Pray (Review)”

Interview with Rorcal

Rorcal Banner

The latest Rorcal full-length Creon (κρέων) is an absolute monster of an album. A churning maelstrom of blackened riffs and grim intensity, it shows the band absolutely on fire and filled to the brim with darkened delights. Let’s delve a little deeper…

For those who are unfamiliar with your band – introduce yourself!

We are a black/doom band from Geneva, Switzerland. We’ve been playing together since 2006 and our 13th release is out this spring 2016. Continue reading “Interview with Rorcal”

Messa – Belfry (Review)

MessaThis is the début album from Messa, a doom/drone metal band from Italy.

Messa provide the listener with almost an hour of occult retro doom and dark ambience.

This is akin to a strange-yet-effective mix of Sunn O))) and Pentagram, with deliciously seductive female vocals included. Some tracks are dark ambient/drone, full of mysterious atmospheres and distorted malice, while others take Continue reading “Messa – Belfry (Review)”

Unothera – Broken (Review)

UnotheraThis is the début EP from Unothera, who are a melodic doom/death band from the Netherlands.

This EP consists of 5 tracks – two actual songs and three piano movements.

The songs take influence from the likes of My Dying Bride, Katatonia and Paradise Lost, with sorrowful atmosphere aplenty. Keyboards are also used to add depth to the misery that the band exude, and I think these are particularly Continue reading “Unothera – Broken (Review)”

0N0 – Reconstruction and Synthesis (Review)

0N0This is the second album from this Slovakian industrial death/doom band.

Now this is an interesting release.

0N0 combine the industrial, death metal and doom genres together, creating an album that has aspects of all weaved into its genes.

How to classify this? Well, extreme metal is the easy cop out, and as these things don’t ultimately matter that much, I suppose that will do. Industrial death/doom is more specific, of course, but there we are.

Think of the something like Continue reading “0N0 – Reconstruction and Synthesis (Review)”

Druids – Cycles of Mobeum (Review)

DruidsDruids are a doom/sludge metal band from the US and this is their latest album.

Druids take elements of modern bands like Mastodon and Behold! The Monolith and infuse them with an earlier style of doom and blues, as produced by bands like Earth and Black Sabbath.

There’s a quality level of musicianship on Cycles of Mobeum, and this Continue reading “Druids – Cycles of Mobeum (Review)”

Interview with Battle Path

Battle Path Logo

Battle Path’s latest album Ambedo sees the band expanding their sound into wider arenas, creating an extremely enjoyable 47 minutes that improves upon their already impressive earlier work. I managed to have a chat with the band about their latest release and its place in the grand scheme of things…

How did Battle Path form?

Battle Path formed out the ashes of Murfreesboro band Under the Earth. It originally started as a drone project with Casey, Todd, and Nathan, very shortly afterward Chase and Adam joined, and that is how Storm and Stress was created. After time, Chase moving and Casey having an injury that prevented him from drumming, it evolved into what it is today. Continue reading “Interview with Battle Path”

Interview with André Aaslie (Images at Twilight/Abyssic)

Andre Aaslie2
Photo Credit: Frieden

You may not know who André Aaslie is, but hopefully that’s about to change. He’s the man behind both the atmospheric splendour of doom-titans Abyssic and the symphonic black metal of Images at Twilight. Both bands are doing something a bit different and a bit special with their respective styles, down in no small part to their classical/orchestral parts, courtesy of André . Abyssic’s A Winter’s Tale and Images at Twilight’s Kings are both a firm hit with me, so when I got the chance to quiz the man himself, I didn’t hesitate…

What are your influences?

My main influences for Images At Twilight is the black metal scene from the nineties, and especially bands like Dark Funeral, Marduk, Emperor, Limbonic Art, Tartaros, Bal-Sagoth, Satyricon, Nokturnal Mortum, Obsidian Gate, Dimmu Borgir, Anorexia Nervosa a.o. In Abyssic, I need to mention My Dying Bride as the main influence for both me and Memnock. Until now we have made all the music together for Abyssic. In both bands I could mention several film-score conductors. And also a lot of progressive rock from the seventies, as well as the one and only Devil Doll, who influences just about everything I do in music. Continue reading “Interview with André Aaslie (Images at Twilight/Abyssic)”

Candlemass – Death Thy Lover (Review)

CandlemassThis is the latest EP from epic Doom Metallers Candlemass, who are from Sweden and probably require little introduction for most people.

This EP not only showcases their new full-time singer/long-time-associate Mats Levén, (Aeonsgate), but celebrates 30 years of existence for the band. Continue reading “Candlemass – Death Thy Lover (Review)”

Abisso – WRNSS (Review)

AbissoAbisso are a black metal band from Italy and this is their début album.

Abisso specialise in underground atmospheric black metal that has an emphasis on the murk and grime of the underworld, rather than the starry, keyboard enhanced heavens that a lot of atmospheric black metal sets its sights on.

As such, this album contains atmospheric dissonance with Continue reading “Abisso – WRNSS (Review)”