Ophis are a German death/doom band and this is their fifth album.
I do like Ophis’ work. 2014’s Abhorrence in Opulence and The Dismal Circle were both crushing records, and Spew Forth Odium is no different in this regard. Featuring members of Fvneral Fvkk and Todtgelichter, Ophis know their chosen art form well, and Spew Forth Odium contains 64 minutes of foul underground heaviness and gloom. Continue reading “Ophis – Spew Forth Odium (Review)”
This is the third album from Worm, a blackened death/doom band from the US.
Foreverglade is the fetid swamp where black metal, funeral doom, and death metal meet and all drown slowly. It hard not to get caught up in the band’s rotting stench. I mean, a blackened form of death/doom? One which knows how to craft atmosphere as well as crush with brutal harsh nastiness, all tied together with very effective songwriting? Sign me up. Right now. Continue reading “Worm – Foreverglade (Review)”
This is a split between two death metal bands from the Netherlands, Grim Fate and The Sombre.
Grim Fate get the ball rolling with three songs that last 23 minutes in total. Continue reading “Grim Fate/The Sombre – From Ancient Slumber/The Horrid Silence Thus Began – Split (Review)”
This is the sixth album from Finnish death/doom band Hooded Menace.
Following on from 2015’s Darkness Drips Forth and 2018’s Ossuarium Silhouettes Unhallowed, The Tritonus Bell is another gruesome slab of death/doom, only this time it has been infused with a greater amount of classic heavy metal influences. Continue reading “Hooded Menace – The Tritonus Bell (Review)”
This is the fourth album from Australian death/doom band The Slow Death.
The Slow Death contain current and ex-members of bands such as Illimitable Dolor and Temple Nightside. On Siege, we are given 63 minutes of crushing death/doom metal, which also contains elements of Gothic metal and funeral doom. Featuring four colossal songs, this is a dark and gloomy trip into a world of multifaceted misery and woe. Continue reading “The Slow Death – Siege (Review)”
Towards Atlantis Lights are an international atmospheric doom metal band. This is their second album.
Brought to us by members of Pantheist, Aphonic Threnody, Dea Marica, Arrant Saudade, and Void of Silence, this is the follow up to 2018’s Dust of Aeons, and contains 61 minutes of new material. Continue reading “Towards Atlantis Lights – When the Ashes Devoured the Sun (Review)”
This is the second album from US death metallers Cerebral Rot.
Sometimes all you need in order to feel a bit better about life is a slab of good, old-fashioned death metal, the sort that reeks of disgusting foulness and rotting ugliness. 2019’s Odious Descent into Decay was exactly ones such record. Now we have the 47 minutes of horror that is Excretion of Mortality, and it hits the spot very well indeed. Continue reading “Cerebral Rot – Excretion of Mortality (Review)”
This is the debut album from Irish doom/sludge band Soothsayer.
Ever since thoroughly enjoying 2016’s At This Great Depth, I’ve been looking forward to something more substantial from Soothsayer. And now it’s here in the form of Echoes of the Earth – 52 minutes of atmospheric doom sludge metal. Continue reading “Soothsayer – Echoes of the Earth (Review)”
Oceana are a progressive metal band from Italy and this is their debut album.
As an introductory description of The Pattern, I’m just going to be lazy and quite the promo blurb – “The intent was to mix progressive metal elements with European-style death doom. Influences, from a musical point of view, range from Edge of Sanity to Katatonia, from Paradise Lost to Duran Duran, from Metallica to Dream Theater, in a Continue reading “Oceana – The Pattern (Review)”
This is the third album from Irish doom band Nomadic Rituals.
This is the follow up to 2017’s excellent Marking the Day, which also made it onto my end of year list for that year. It’s great to hear the massive sludge-infused doom of Nomadic Rituals once more, and this new album is a strong contender for the best in their discography. Continue reading “Nomadic Rituals – Tides (Review)”
