This is the second album from Reaping Asmodeia, a technical death metal band from the US.
I find it so easy to like this kind of thing. It’s hyper-modern, with withering technicality, hard-as-nails brutality and enough progressive depth to keep things interesting…Reaping Asmodeia have delivered a monster of an album. Continue reading “Reaping Asmodeia – Impuritize (Review)”
This is the fourth album by Woe, a black metal band from the US.
Here we have a black metal album that has a decidedly American flavour to it that includes some minor aspects of post-black metal, hardcore and a pinch of death metal.
The album is Continue reading “Woe – Hope Attrition (Review)”
Lantern are a blackened death metal band from Finland and this is their second album.
Lantern positively reek of old-school death metal’s foul, atavistic stench, albeit one that’s been dipped in the grim waters of black metal’s malevolence. Death metal is the overriding style here, but there’s enough of a blackened influence to allow for it in the genre tag. Continue reading “Lantern – II: Morphosis (Review)”
This is the third album from Swedish black/death metallers Mordant.
Mordant play a hybrid black/death style that takes influence from the Swedish melodic scene. Continue reading “Mordant – Demonic Satanic (Review)”
Benighted are a French death metal band and this is their eighth album.
Benighted impressed the Hell out of me when I managed to catch them live supporting The Black Dahlia Murder, (whose singer guests on this album), so it’s with a palpable sense of excitement that I press play on Necrobreed. After a typically throwaway intro, the Continue reading “Benighted – Necrobreed (Review)”
After a 20 year gap we finally have a new Morta Skuld album, and what an album it is! Wounds Deeper than Time is an absolute ripping listen, giving us nine songs that demonstrate a band living up to that old saying – all killer, no filler. Continue reading “Interview with Morta Skuld”
This is the second album from French death metal band Hybrid Sheep.
After the promise shown on 2014’s Free from the Clutches of Gods, Hybrid Sheep have now returned with another instalment of their modern death metal, and have showed some nice progress since their first opening release. Continue reading “Hybrid Sheep – Hail to the Beast (Review)”
Muscular, taut, and full of the kind of death metal that can knock you out from a distance, Carnal Decay’s fourth album You Owe You Pay is brutality incarnate.
This is an album that’s relentlessly hostile and spends its entire length bludgeoning you with torn off body parts and bloody stumps. Carnal Decay buzz with energetic violence, and You Owe You Pay is this energy captured and distilled into musical form.
Enter guitarist Isabelle Iten to spill her guts about the carnage within… Continue reading “Interview with Carnal Decay”
Six Feet Under are a death metal band from the US.
I enjoyed Crypt of the Devil, and Torment is the band’s latest forray into the killing pits. Having specialised in their own brand of death metal grooves for decades now, I always like to catch up with what Six Feet Under are doing. Continue reading “Six Feet Under – Torment (Review)”
This is the fifth album from Demonic Resurrection, a symphonic black/death metal band from India.
First impression – the album art is amazing.
Featuring members of Demonstealer and Albatross, Demonic Resurrection play epic blackened death metal with flair and style, influenced by Hindu mythology in both theme and sound. Continue reading “Demonic Resurrection – Dashavatar (Review)”
