Toadeater are a post-black metal; band from Germany and this is their third album.
Bexadde delivers 44 minutes of black metal across four lengthy nightmarescapes. Blending atmospheric components into a post-blackened framework, Toadeater’s music is compelling and satisfying. Continue reading “Toadeater – Bexadde (Review)”
Olhava are a Russian ambient/post-black metal band and this is their fifth album.
2021’s Frozen Bloom was an enjoyable blend of atmospheric post-blackened intensity and shimmering dark ambience. Have Olhava managed to recreate their dark magic once again? Continue reading “Olhava – Reborn (Review)”
Dreariness are an Italian post-black metal band and this is their third album.
I enjoyed 2016’s Fragments, so was keen to check this new album out. I’m pleased I did, as it presents the band in the best light, with a good, natural progression in sound. Continue reading “Dreariness – Before We Vanish (Review)”
March was yet another good month for metal releases. I’m aware that I pretty much say that every month, but it’s true. Dig into these albums and let me know what your favourite was last month
Continue reading “Monthly Overview – the Best of March 2022”
This is the fourth album from Norwegian blackgaze/post-metal one-woman act Sylvaine.
Nova is a highly atmospheric journey. If you’re a fan of the shoegaze/blackgaze genres, then this is for you. The promo blurb states that this is for fans of bands such as Alcest, Deafheaven, Harakiri for the Sky, and Emma Ruth Rundle, and it’s hard to argue with that. Continue reading “Sylvaine – Nova (Review)”
This is the fourth album from Swedish death/doom metallers Soliloquium.
It’s always a pleasure to hear new Soliloquium. Betwen 2018’s Contemplations and 2020’s Things We Leave Behind the band have quickly amassed an enviable discography, and now we have Soulsearching to add to this impressive list. Continue reading “Soliloquium – Soulsearching (Review)”
This is the second album from US one-man post-metal band Breaths.
Here we have 35 minutes of music that’s described as a mix of post-metal, black metal, doom metal, shoegaze, post-rock, progressive metal, and post-hardcore, and recommended for bands such as Alcest, Deftones, Deafheaven, and Sleep Token. Believe it or not, this wide mix of genres actually makes sense within the context of the bands mentioned, so a picture can start to form of what the Breaths sound is like before you encounter the artist’s emotive metal. Continue reading “Breaths – Though Life Has Turned out Nothing Like I Imagined, It Is Far Better Than I Could Have Dreamt (Review)”
This is the debut album from Australian post-black metallers Oar.
Oar’s brand of post-black metal is expressive and dark. There is a sizeable doom influence, which is great to hear and works really well in the band’s blackened context. Elements of blackgaze and hardcore can also be heard, and these succeed in broadening the palette with which Oar paint their soundscapes. Continue reading “Oar – The Blood You Crave (Review)”
This is the third album from US blackened post-hardcore band Glassing.
Following on from 2019’s Spotted Horse, Twin Dream delivers 48 minutes of new material, and essentially continues off from where Spotted Horse left off, only improves it in pretty much all respects. Continue reading “Glassing – Twin Dream (Review)”
MØL are a post-black metal band from Denmark and this is their second album.
I really liked 2018’s Jord, so it’s great to have some new material from MØL.
MØL play an effervescent blend of post-black metal and blackgaze, and on Diorama they deliver 47 minutes of the stuff. Continue reading “MØL – Diorama (Review)”
Wonderbox Metal 