This is the debut album from Varde, a Norwegian black metal band.
Fedraminne contains 59 minutes of black metal that mixes folk influences into an atmospheric journey. Continue reading “Varde – Fedraminne (Review)”
This is the debut album from Varde, a Norwegian black metal band.
Fedraminne contains 59 minutes of black metal that mixes folk influences into an atmospheric journey. Continue reading “Varde – Fedraminne (Review)”
This is the second album from Polish black metallers Odraza.
On Rzeczom we get 45 minutes of black metal with avant-garde tendencies, which may be an apt description, but it doesn’t properly let you know what a real treat you’re in for should you choose to delve into Odraza’s world. Continue reading “Odraza – Rzeczom (Review)”
Schammasch are a Black Metal band from Switzerland. This is their fourth album.
Was it really 2016 that the epic Triangle was released to an unsuspecting world? Apparently so. An incredibly strong release, it narrowly missed out on the top spot for my best albums of 2016 list. It was followed up in 2017 by the even more avant-garde EP The Maldoror Chants: Hermaphrodite, which provided a compelling dose of atmospheric material. Continue reading “Schammasch – Hearts of No Light (Review)”
This is the thirteenth album from Blut Aus Nord, a French black metal band.
You never quite know what you’re going to be getting with a Blut Aus Nord release, and on Hallucinogen the band have mutated once again. Their latest incarnation is an avant-garde progressive black metal monster, emphasising atmosphere and feeling via engaging blackened soundscapes. Continue reading “Blut Aus Nord – Hallucinogen (Review)”
This is the second album from White Ward, a Ukrainian post-black metal band.
2017’s Futility Report was striking and enjoyable, mixing cold black metal with an avant-garde modern edge. Compared to Love Exchange Failure, however, it’s almost as if Futility Report was the prototype of this new album. Expanded Continue reading “White Ward – Love Exchange Failure (Review)”
This is the seventh album from french black metallers Deathspell Omega.
Deathspell Omega are well-known in black metal circles, and a new release is always somewhat of an event for people with a taste for high quality esoteric substance. Continue reading “Deathspell Omega – The Furnaces of Palingenesia (Review)”
Nyss are a French black metal band and this is their second album.
Nyss’s 2017 debut album Princesse Terre (Three Studies of Silence and Death) was an atmospheric and raw slice of blackened art that struck a chord with me, and I’ve returned to it many times since. Continue reading “Nyss – Dépayser (Review)”
Lörd Matzigkeitus are a black metal band from Canada and this is this project’s third album.
From the Many Splintered Minds mixes a harsh form of black metal with elements of death metal and a multitude of blackened underground styles of extremity. Parts of the album are more traditionally brutal, while others are more avant-garde in range and delivery. Continue reading “Lörd Matzigkeitus – From the Many Splintered Minds (Review)”
Mord’A’Stigmata are a post-black metal band from Poland and this is their fifth album.
After 2013’s Ansia and 2017’s Hope, I’m a firm fan of what this band produce, and Dreams of Quiet Places is their latest masterpiece. I don’t use that word lightly either. Continue reading “Mord’A’Stigmata – Dreams of Quiet Places (Review)”
Vyre are a German post-black metal band and this is their third album.
Vyre offer up a 52-minute sophisticated cocktail of electronically enhanced avant-garde/post-black metal, which has been further spiked with keyboards, synths, cello, and violin. Continue reading “Vyre – Weltformel (Review)”