Wonderbox Metal

Putrid Evocation – Echoes of Death (Review)

Putrid Evocation are from Chile and this is their Death Metal début album.

Putrid Evocation play Old-School Death Metal with a strong reek of the grave and a palpable miasma of rotten flesh.

The band write ancient, primordial Death Metal tracks that are ultra-primitive in their assault. The songs may be simple but they’re also effective and Echoes of Death should satisfy any cravings you have for Old-School Death Metal.

A raw, murky production seals in the feeling of decay and Putrid Evocation are clearly not interested in any aspect of modernity. It’s an acquired taste of course, but if you’re not a fan of clinical, high-gloss recordings then you should feel right at home here.

Featuring a few Doom and even proto-Black Metal elements in their sound, the band successfully create their crypt-like tales with the love and care of a recently risen ghoul.

Early Incantation, Death, Autopsy, Dismember, etc. are your guides to the sound of Putrid Evocation.

Be sure to give them a listen.

First Dawn – Final Epoch (Review)

First Dawn are a Melodic Black Metal band from Finland. This is their début album.

First dawn incorporate synths and elements of Progressive Metal into their interesting sound. Melodic Black Metal can sometimes seem a bit one-dimensional but First Dawn manage to inject a decent amount of depth into their compositions.

The songs are nicely heavy and professionally recorded. The music is all balanced appropriately and they manage to keep up the atmospheres of the tracks without the synths becoming overbearing.

The music is well-written with an ear for dynamics and a good melody. It’s surprisingly powerful stuff, with lots of hair-raising moments and parts to get the blood pumping.

Rasped Black Metal vocals are the main mode of delivery and the singer has character to his voice.

These songs are instantly captivating and remain so on repeated listens. First Dawn have a talent for atmosphere-laden writing that also has enough direct appeal to satisfy. Add to this the Progressive solos/leads and the space-age feel of the synths and you have an album that merges Progressive Metal and Black Metal at the cellular level.

A very, very good release from an interesting band who are intent on doing things their own way and doing them well.

Very impressive stuff.

Cold Snap – World War 3 (Review)

Cold Snap are from Croatia and this is their third album. They play Modern Metal.

World War 3 is a surprisingly varied album for what it is. I was expecting a straight Metalcore band for some reason, and although they have this side to them there’s more to Cold Snap than just this.

Mix Metalcore with a bit of Nu-Metal and you’ll have an idea of what Cold Snap are attempting here. Elements of Korn, Disturbed, Slipknot and Machine Head can be heard.

After Nu-Metal effectively stopped existing, (as far as I am concerned), a very long time ago it’s actually quite refreshing to hear something like this again, especially when it’s actually done quite well and without the majority of the generic nonsense that plagued the style.

So as I was saying; Cold Snap have a fair degree of variety in their sound and don’t simply repeat the same formula every song. Similarities exist between tracks of course, as is the same for most bands who play one style, but within their chosen framework they do attempt to mix it up a bit.

The singer has a decent voice and doesn’t fall too foul of the various vocal pit-falls that this style can have. Overall he gives a good performance.

The band are at their best when they let the Euro-Metal influences come to the front. Sections of some of the songs have influences from bands like Nevermore, Darkane and Soilwork, and these are the most enjoyable parts for me.

It’s quite a nostalgic listen in some ways; it’s a familiar style but without being overly so, probably because I haven’t really listened to anything like this in a while. If World War 3 had come out about 15 years ago Cold Snap probably would have been quite big.

If Nu-Metal is a best-forgotten nightmare for you then this will probably not float your boat, but if you want to hear a modern take on it with a beefy, professional production then check out Cold Snap and see what you think.

For myself, this has definitely grown on me and I’ll be spinning this again in the future.

Kouzin Bedlam – Longing for the Incomplete (Review)

Kouzin Bedlam are a Finnish Heavy Metal band and this is their début album.

This is expressive Heavy Metal that’s enhanced with keyboards as well as some Progressive Metal and Power Metal streaks.

Their sound is a very enticing one that mixes elements of bands like Queensrÿche, Iron Maiden, Kamelot and Queen. It’s very listenable and has instant character and appeal.

Longing for the Incomplete is a very strong collection of songs. The band know how to play and everything comes off silky smooth and ultra-polished, but with the important accolade of not losing the band any of their life or colour.

The music is textured, rich and involving. There are lots of hooks and bucketloads of catchiness. The songs have memorable melodies and tunes as well as many interesting ideas and a great deal of variety.

All in all these songs are ridiculously good! In some ways it’s hard to believe that this is a just a début album as the level of songwriting here is stellar.

The singer has a great voice that’s capable of dealing with anything that’s required of it. Pretty much any style is within his range and his performance on this album is staggeringly good.

When this style of Metal is done well it takes me back to when I was getting into music for the first time and everything seemed so exciting and new. Kouzin Bedlam fill me with the same kind of feeling; not so much because of nostalgia, but just because of how damn good this is!

This puts me in mind of Trinity Road by All Seeing Eyes; Kouzin Bedlam don’t particularly sound like All Seeing Eyes, but the comparison is apt as both bands have recently released a pure blinder of an album. Had I listened to this album earlier then it definitely would have featured in my 2014 end of year list.

What a great album by a great band. Essential listening.

Destroying Divinity – Hollow Dominion (Review)

This is the fourth album from Destroying Divinity, who are a Death Metal band from the Czech Republic.

Destroying Divinity play Death Metal without compromise and with plenty of brutality and aggressiveness.

Featuring influences from bands like Hate Eternal, Immolation and Morbid Angel in their sound, what we get here is straight-ahead Death Metal with no fancy bits, no ostentation and lots of killing capacity.

The band blast their way through the demolished landscape with ease, whilst twisting, churning riffs drill deeper into the earth in search of sustenance. Hollow Dominion is a ravenously hungry beast and only total destruction will sate its hunger.

The vocals are deep growls that relentlessly chew up and spit out the brutal anthems.

Hyperspeed riffs and malevolent rhythms blare out and a strong recording holds everything together. These songs are more than capable of holding their own in the war-torn Death Metal landscape.

Hollow Dominion is the sound of a band entirely comfortable with their style and ready to cause havoc wherever they go.

A recommended listen for any Death Metal fan.

Ctulu – Sarkomand (Review)

Ctulu are a Black Metal band from Germany and this is their third album.

Ctulu play their Black Metal at speed and with much venom. Their sound is akin to the mid-90’s Swedish Black Metal style which is one that’s always been close to my heart. Think bands like Naglfar, Dissection, Dark Funeral, Marduk, etc.

Sarkomand is not just a derivative though, it has its own personality swimming though the Blackened riffs. A highlight of this release for me is said riffs; Ctulu are strong writers when it comes to the dark melodies of the guitars.

Note; this is not Melodic Black Metal, but rather Black Metal that has a lot of melody in it. It’s a subtle distinction to the uninformed but an important one. There’s nothing jolly or happy here; this is grim, dark Black Metal with melodies that will cut you to ribbons if you’re not careful.

The vocals are raspy croaks befitting the style, although they also throw a few Mayhem-esque semi-clean/chants into the mix on occasion as well as some actual mournful singing – it all definitely adds to the listening experience.

Cold Black Metal is always a good listen and Ctulu play it well. Their chilled delivery is served at the right temperature and this collection of tracks tastes just right to me.

If you enjoy the second-wave sound then Ctulu are a band you should check out. They may be playing the style but they stand tall in their own right and Sarkomand exists on its own merits, of which there are many.

Recommended for fans for frostbitten grimness everywhere. Quality stuff.

Trial – Vessel (Review)

Trial are a Swedish Heavy Metal band and this is their second album.

Trial play Classic Heavy Metal full of songs and steel.

The vocals are melodically clean and employ some very nice harmonies. The singer belts out the tunes with power and class. I really like his voice.

The songs on Vessel are very well written and performed. Trial are a clearly a professional band with a high quality threshold. These tracks are memorable even on their first spin and subsequent listens really allow them to get under your skin.

Trial have elements of Epic Heavy Metal, which comes out in the longer length of some of their tracks, as well as a slight Traditional Doom Metal feel to some parts of the songs.

There’s a good amount of variety on this album and the band show they have what it takes to produce enjoyable songs no matter what tempo they play.

Each song has a lot of content and there’s no filler to be found at all. They save the best track for last with the 13 minute epic Restless Blood. Quality.

The production is modern enough to be crisp and punchy but warm enough to not rob the band of any of their heart.

Trial are at that perfect sweet spot between old and new, giving them a timeless air. This is Heavy Metal as it should be played in 2015.

Vessel is a really enjoyable Metal album and I definitely recommend getting your hands on it.

Soulskinner – Crypts of Ancient Wisdom (Review)

This is the third album from Greek Death Metal band Soulskinner.

Soulskinner play Old-School Death Metal with plenty of heaviness and atmosphere.

Very early on the band establish that they are extremely proficient at recreating that raw, elemental feeling that you used to get when you were first getting into Death Metal and you were discovering new things all of the time; Soulskinner delve back into that bygone era when Death Metal was young and vibrant and it’s a joy to hear it.

The album is aptly named as it seems as if the band have discovered a crypt of ancient Death Metal know-how and the songs here strike an immediate chord with the listener. This is primal, atavistic Death Metal at its best, recalling the very early days of bands like Bolt Thrower, Entombed, Gorefest, Grave, Hypocrisy, Septic Flesh, Asphyx, etc.

The songs are full of graveyard atmosphere, rotting brutality and ancient intelligence. Quality riffs are thrown around like they’re going out of fashion and the level of songwriting skill is through the roof.

I love the small, but important, little details they add in. Whether this is a riff here, a drum fill there, a small piano part here, a malevolent melody there…it all adds up and these songs are just great.

This is a exceptional collection of songs. Fantastic riffs and occult melodies combine to create atmospherically brutal tracks of classic Death Metal.

As is fitting for a band like this, the vocals are flawless; deep, guttural, cavernous growls that sound inhuman and timeless.

It’s very easy to get bored of Old-School bands who just want to relive the past but add nothing to it. Soulskinner are different though, as they seem more like forgotten relics from a time gone past that have recently been unearthed to spread their plague anew. It may be old and rotten but it’s still as fresh as the dawn of the scene.

A very highly recommended listen. Soulskinner will rekindle your love of probably the first Extreme Metal genre you ever got into.

Wonderbox Metal End of Year List – Best Metal of 2014

As 2014 closes it’s time to take stock of the year and revive the annual End of Year tradition once more. So, are you ready for another best of 2014 list? Of course you are…

As always, the order below is potentially fluid due to the subjective nature of music, etc.

A lot of good music was released in 2014. Before we delve into the main event, (this year it’s a top 25 list), I want to acknowledge a few runner ups. The following bands all produced some great sounding releases in 2014 but ultimately didn’t reach into the 25 best ones. So here they are, in no particular order –

Corpsessed, Suffering Hour, Pyrrhon, Infestus, Silence the Father, Morbidity, Azooma, Narrow House, Crucifyre, Solace of Requiem, Epitaph, Annihilated, Enthroned, Lord Mantis.

What a great bunch of albums! There are loads more that I could mention of course, but those are the cream of the crop that spring to mind at the moment. I know I’m bound to be accidentally overlooking some though – it’s inevitable.

Okay then, starting at the bottom and working our way up – I give you the Wonderbox Metal-approved Best of 2014 list…

Fallujah start us off at number 25 with their unique take on Death Metal with their very impressive album The Flesh Prevails. Boasting Progressive/Technical Atmospheric Death Metal songs that positively drip with emotion and feeling, Fallujah unleashed a monster on the Death Metal world. After living with this album for a while now it really is a very enjoyable listen, and any band trying to do something a bit different from the norm – and doing it extremely well – should be supported.

At number 24 we have Insense with De:Evolution. Theirs is a highly developed take on Modern Metal that’s full of atmosphere, feeling and top quality songwriting. Insense have a great singer and music to match; full of melody, hooks and enough heaviness to sink a battleship. They also have a suitably massive sound that allows them the space to do what they do best. Insense are the real deal.

Tongues are at number 23 with Thelésis Ignis. Actually an EP rather than an album, it’s so damn good it still warrants inclusion in this list. They play otherwordly Black Metal that immediately grabs your attention and forces you to recognise that a new and important player has just burst into the Black Metal arena. All fans of soul-eating Black Metal should seek this out and pay tribute.

At number 22 sit Columns with their devastating début album Please Explode. This is groovy and passionate Grindcore that’s dynamic and purposeful. There are no wasted moments on this album and Columns are poised to become forerunners of the genre if this collection of tracks is anything to go by. As the only Grind band to sneak into my list this year, (despite some notable releases), Columns have everything to play for in the future.

The mighty Threshold are at number 21 with For the Journey. Threshold are always a pleasure to listen to and this latest album of theirs, (their tenth), is no exception. This is an album of masterly crafted songs full of Progressive Metal treasures and catchy melodies. Threshold have released an album that does them justice as the veterans and leaders that they are.

At 20th place we have Salvaticus with Hidden Manna. A little-known Black Metal band from the US, this album made a huge impact with me as it really drew me into its dark embrace and is an album very easy to get lost in. A raw brand of Black Metal that’s almost on the cusp of bordering on Post-Black Metal but doesn’t quite fully transition due to the inherent Blackness and purity of intent of the music. An exceptional release.

At number 19 is The Great Old Ones with Tekeli-li. This is a real journey of an album that spans Black Metal with a good spread of Post-Metal thrown in. Depth, longevity and class are synonymous with The Great Old Ones and Tekeli-li is a great example of why. In an album of dark moods and emotional resonance there is enough here to satisfy any Extreme Metal fan.

Fisthammer dominate position 18 with the infallible Infallible. Cheap puns aside, this is a truly remarkable album, full of exceptional songs and crushing delivery. Melding a Brutal Death Metal core with a varied and wider Metal approach, Infallible is an album that combines a lot of different influences. Death Metal may be at the beating heart of Fisthammer but there’s a lot of enhancements here too. Pulverising.

At 17 is the enigmatic Dust Sculptures with Far Above the Pines. A Post-Black Metal album that seemingly came out of nowhere, fully realised and ambitious in scope. Taking a Black Metal base and building into it elements of Shoegaze, Progressive Rock and latter-day Anathema; Far Above the Pines is a very impressive release. If you enjoy expansive music that is both intimate and revealing then this is a release you must track down.

In at number 16 is the legendary Cannibal Corpse with A Skeletal Domain. Who can argue with the Death Metal masters? Whenever they release an album you know at the very least it’s going to be good. A Skeletal Domain though was a very, very good release. With such choice cuts as High Velocity Impact Spatter, Kill or Become and Vector of Cruelty A Skeletal Domain has featured heavily on my playlist this year.

A change of pace at number 15; here we have Lethe with When Dreams Become Nightmares. An intriguing project featuring members of Eluveitie and Manes, Lethe play dark and multi-textured experimental music that combines catchiness and intellect to produce a very accomplished and sophisticated dark Rock album. With a wide range of moods and emotions to explore, When Dreams Become Nightmares is an album that keeps on giving.

The Wolves of Avalon take the 14th spot with Boudicca’s Last Stand. An ambitious and impressive release, this is a heavily orchestrated album that features wonderfully diverse instrumentation and female accompaniment. Iceni Queen Unfurl’d In a Tempest of Crows is definitely one of my favourite songs of the year and the whole album is rich in delights and highlights. It’s an hour of interesting, captivating and unique Metal.

Riddle of Steel by Sons of Crom takes the 13th position. An album of epic Viking-influenced Heavy/Black/Folk Metal that’s awash with so many gorgeous melodies and harmonies it’s a veritable embarrassment of riches. This is a shockingly grandiose album that is very easy on the ear and doesn’t just hold up to repeated listens it positively demands them. Epic Viking-Metal rarely sounds as good as this.

At number 12 we have Apostle of Solitude with Of Woe and Wounds; crunchy Doom Metal with a flavour half-way between old and new. This is an album that connected with me instantly and has the kind of direct appeal of a band who are hitting their stride. Strong songwriting, massive grooves and catchy harmonies mean this is an album I’ll regularly revisit. The songs on this album have a longevity about them that most bands would kill for. Great stuff.

In 11th position is the mythical Eyehategod with their self-titled album, the first in 14 years. I love Eyehategod and this album being in my end of year list is a no brainer really. The band that essentially invented Sludge have done it again with an album filled with negative anthems and a flawless delivery of everything I love about them. Why they aren’t higher up this list is beyond me. What was I thinking?

Usnea are in 10th position with Random Cosmic Violence. Usnea are pretty much the best Blackened Doom band there is, and ever since 2013’s amazing self-titled début I’ve been wanting more. After a brief tease with their split with Ruins, they unleashed their new album and I was a very happy camper indeed. For a band that’s swathed in darkness it’s an important plus that they still write actual songs, just long, heavy, grim ones.

At number 9 is Hyperion by Dirge. This is an album that I fell in love with from the cover alone, and I was extremely pleased that the music matched expectations. Hyperion is crushingly heavy Doom with elements of Post-Metal, Sludge and an Electonic/Industrial flavour. A wide vocal variety and expertly compsoed tracks elevate Hyperion to the ranks of the very best the genre has to offer.

In 8th position are Enabler with La Fin Absolue Monde. Well, what can you say about an album that’s the aural equivalent of an adrenaline shot? This is aggressive Hardcore that specialises in dynamic, emotive songs that are just master crafted examples of the angry arts. Putting lesser bands to shame, Enabler have created a top quality album that screams out to be heard again and again. Leaders, definitely not followers.

At 7th is All Seeing Eyes with Trinity Road. An almost obscenely long release at 1 hour, 48 minutes in length; this duration is only matched by the equally-obscenely talented musicians and their formidable songwriting skills. The album never gets tiring or boring; this is Power Metal at its best and most engaging. As I stated in the review – this is a stunning album and I absolutely love it. What more can I say?

Sorxe are at number 6 with Surrounded by Shadows. Sorxe play textured Doom/Sludge with layered vocals and two bassists. It’s heavy and it’s pretty, both at the same time. With diverse and well-written songs, Surrounded by Shadows is a masterpiece of light and shade. An album this good is just pure listening gold and everyone should get to experience Sorxe as they were intended to – loud.

Wolvhammer are in position 5 with Clawing Into Black Sun. A colossal album and the highest-placed Black Metal release this year. Clawing Into Black Sun has it all, from the groovy catchiness of tracks like Slaves to the Grime to the dark majesty of A Light That Doesn’t Yield. This is a phenomenal album that places songs at the centre of the darkness and no other band has managed to touch them this year for sheer blackness of heart.

At number 4 is Lae with Break the Clasp. This was an unexpected hit with me as I hadn’t heard of them before and wasn’t expecting much but they just blew me away with their hauntingly beautiful sound. Featuring the vocal talents of Steve Austin from Today is the Day; this is an album of heartbreaking depth and personal revelation. The songs managed to connect with me intimately with real passion and feeling. A stunning album.

In the 3rd position is Temple of Void with Of Terror and the Supernatural. Doom Metal and Old-School Death Metal collide to create one of the year’s best releases. This album boasts exceptional songs; crawling Death Metal-laced Doom has never sounded so good. This is an album that gives the listener that rarest of things – real substance and content combined with an excited adrenaline rush at hearing something that’s ultimately just pure-blood Metal.

At number 2 is Execration with Morbid Dimensions. This is non-typical Death Metal that takes elements of other genres, (Doom, Progressive Metal, Black Metal), and makes it their own. Morbid Dimensions is such a ridiculously strong release it’s just silly. The sheer quality of the songs here…these are the rightful heirs to the throne of Death in my mind. This very nearly made it into the coveted number 1 position, as this album is just that damn good.

Finally we come to the number 1 slot, and this is taken by Inter Arma with the absolutely amazing The Cavern. What can you say about this? It’s just a perfect slab of colossal Doom/Sludge/Post-Metal. At three quarters of an hour in length this single, phenomenal track does pretty much everything you could want it to. I cannot stop listening to this and show no signs of getting bored with it in the future, either. Releases like this are the reason that I still love heavy music so much. The Cavern is definitely my pick of 2014 and it’s going to be a long time before something tops it I feel. Just brilliant.

And there you have it! It’s been a great year for quality Metal, and here’s to 2015!

Happy New Year!

Vyre – The Initial Frontier Pt. 2 (Review)

Vyre are from Germany and this is their second album. They play Black Metal.

Vyre’s take on Black Metal is one that includes Post-Black Metal and Avant-Garde influences. This results in an album that has plenty of texture and lots of content to offer the prospective listener.

The compositions on this album could almost certainly qualify as artistic Metal, with the ambition and scope of the songs to match.

Imagine the epic soundscapes of Emperor mixed with the occult stylings of Rotting Christ, a Progressive/Avant-Garde influence from Arcturus and the venomous bite of Satyricon…Vyre have produced a top quality Black Metal release that matches up to these lofty comparisons.

These tracks are hugely impressive, with lots of ideas and character included in the songs. Prime, Grade A Black Metal riffs and melodies are enhanced by atmospheric synths and sounds whilst a dark rasp edges out from the abyss. Disembodied cleans occasionally ring out and majestic leads fill the ether with molten Metal.

I love the obvious amount of work that has gone into crafting these songs. There is literally so much to enjoy here. Every time you listen to it you’ll notice something new. It’s heady stuff.

These tracks have been forged to near-perfection by a very talented band. This is Black Metal that’s been effectively coloured and influenced by Progressive and Avant-Garde Metal without losing any of its inherent darkness or attack.

I had never heard of Vyre before this but I’m so glad that I have now. I strongly recommend you get this album. Listen to it over and over again and let the darkness of the void seep into your brain.