Headless Kross are a doom band from the UK.
Headless Kross don’t play nice music. They do, however, play heavy music, and this is what we like.
The vocals are unhinged screams. They seem Continue reading “Headless Kross – Projections 1 (Review)”
Category: Doom
Disemballerina – Poison Gown (Review)
Disemballerina are a US band, and this is their latest album.
With instruments such as Cello, Viola, Harp, Machete, Acoustic Guitar and Bajo Quinto, this is not your average release.
Dismballerina play a sort of chamber/classical music combination, that may not Continue reading “Disemballerina – Poison Gown (Review)”
Neurosis – Fires Within Fires (Review)
This is the eleventh album from legendary genre-forgers Neurosis. They play post-metal/progressive sludge/doom/whatever.
The impact of Neurosis on the post-metal/sludge/doom/etc. scene is immense and has been well-documented, of course. Suffice to say that this is an important band producing important music. They always have been and probably, (hopefully), always will be. Continue reading “Neurosis – Fires Within Fires (Review)”
Jagged Mouth – Louring (Review)
This is the debut album from Jagged Mouth, a sludge/doom metal band from the US.
With the kind of scathingly high-pitched vocals that can strip skin at 100 paces, Jagged Mouth don’t mess around. This is slow and heavy sludge/doom that doesn’t care for being nice or pleasant in any way. Continue reading “Jagged Mouth – Louring (Review)”
Blissful Stream – Ascending Demons (Review)
Blissful Stream is a one-man doom project from Sweden. This is his debut EP.
This is lo-fi doom rock with a distinctly ancient feel to it. Ascending Demons offers up 15 minutes of this, with downbeat riffs and the some old-school death/doom-styled melodies mixed in. Continue reading “Blissful Stream – Ascending Demons (Review)”
Khemmis – Hunted (Review)
This is the second album from US doom metal band Khemmis.
Khemmis’ debut album, Absolution, was one of my favourite releases of 2015, and has continued to be a firm-favourite of mine ever since first hearing it.
Continuing on with their style of combining traditional doom metal with sludge metal, the songs on Hunted are a tad longer, allowing the band more room to explore and expand on their core style.
The singer puts in a sterling performance once more. Continue reading “Khemmis – Hunted (Review)”
Obed Marsh – Innsmouth (Review)
This is the debut album from Obed Marsh, an Australian blackened doom band.
Well, I love the album cover, so we’re off to a good start already. It’s the music that matters, of course, but it’s always nice to like the artwork too. The band also have a member of Ur Draugr in their ranks, so another plus point in their favour.
Do you ever get the feeling that the doom you’re listening to is just not doomy enough? Do you Continue reading “Obed Marsh – Innsmouth (Review)”
Starchitect – Shift (Review)
Starchitect are a post-metal band from the Ukraine and this is their third album.
Hot on the heels of their last album Results that was released at the start of the year, we now already have a brand new full length album from Starchitect. It seems that they’re not interested in waiting too long between releases. Continue reading “Starchitect – Shift (Review)”
Barghest/Teeth – Split (Review)
Barghest are a black metal band and Teeth are a death/doom metal band. Both are from the US.
Barghest offer up 4 songs on this split, lasting 21 minutes. Although they haven’t been featured on this site before, I’m a fan of Barghest and it was with eager excitement that I first listened to their side of this tasty, tasty release.
Opening with a recording of Continue reading “Barghest/Teeth – Split (Review)”
Sea of Bones/Ramlord – Split (Review)
Sea of Bones and Ramlord are both from the US. Sea of Bones play doom, while Ramlord play hardcore.
Sea of Bones have produced some monolithic, crushing doom/sludge metal in their time, so it’s with great joy that I prepared to listen to their half of this split – a single track named Hopelessness and Decay, lasting just under 11 minutes.
Slow and full of apocalyptic inevitability, the track unfolds at minimal speed, Continue reading “Sea of Bones/Ramlord – Split (Review)”
Wonderbox Metal 