Promethean Misery – Ghosts (Review)

Promethean MiseryPromethean Misery is a one-woman project playing atmospheric and doom metal-influenced neo-classical music.

After her extremely impressive and enjoyable Bloodlet EP from earlier in the year, this new album contains more alluring, dark, and wonderfully-realised music. Continue reading “Promethean Misery – Ghosts (Review)”

Gnaw – Cutting Pieces (Review)

GnawThis is the third album from US experimental doom band Gnaw.

Featuring the inimitable vocals of the singer that graced Khanate with his serrated, searing voice, 2013’s Horrible Chamber was a must-listen record as soon as I knew it was available. It’s been a long four years, but now we finally have the follow up in Cutting Pieces. Continue reading “Gnaw – Cutting Pieces (Review)”

Year of the Cobra – Burn Your Dead (Review)

Year of the CobraYear of the Cobra are a doom metal band from the US and this is their latest EP.

Year of the Cobra’s debut album …in the Shadows Below was 44 minutes of guitarless drum and bass doom, the likes of which would be extremely satisfying in its own right, but with the added sultry crooning of their impressive singer, it just ascended to even greater heights. Continue reading “Year of the Cobra – Burn Your Dead (Review)”

Ophis – The Dismal Circle (Review)

OphisOphis are a German doom band and this is their fourth album.

I fell strongly for the sheer heaviness and prolonged darkness of Abhorrence in Opulence. This was an hour’s worth of supremely heavy and miserable music, and The Dismal Circle is little different in this regard.

Continue reading “Ophis – The Dismal Circle (Review)”