This is a split between two UK sludge metal bands. Both bands offer up a single song.
We’ve met Moloch before on their split with Cloud Rat. Here they continue with their Continue reading “Moloch/Groak – Split (Review)”
This is a split between two UK sludge metal bands. Both bands offer up a single song.
We’ve met Moloch before on their split with Cloud Rat. Here they continue with their Continue reading “Moloch/Groak – Split (Review)”
This is the seventh album from Arctic Sleep, a one-man, (with guests), atmospheric/progressive doom band from the US.
Despite the fact that this is the band’s seventh album, this is my first encounter with Arctic Sleep’s music. It seems I’ve been missing out; what we have here is hugely impressive. However, the man behind Arctic Sleep is also the man behind Unearthed Elf, and as I absolutely love Unearthed Elf’s Into the Catacomb Abyss, I suppose it should come as no surprise that Kindred Spirits is as good as it is. Continue reading “Arctic Sleep – Kindred Spirits (Review)”
This is the latest EP from Daxma, a doom/post-metal band from the US.
Following on from 2017’s absorbing The Head Which Becomes the Skull, the band now provide us with two new tracks, with a total duration of 25 minutes. Continue reading “Daxma – Ruins upon Ruins (Review)”
Eternal Black are a doom metal band from the US and this is their second album.
I enjoyed both 2015’s Eternal Black and 2017’s Bleed the Days, so new material from this band is no bad thing. Across 38 minutes Eternal Black bring the doom, and do so very ably. Continue reading “Eternal Black – Slow Burn Suicide (Review)”
LINGUA IGNOTA is a one woman experimental artist, and this is her latest album.
Aided by a multitude of guests, (including members of The Body and Full of Hell), this is 66 minutes of beauty and brutality. This is an album that fits in no real category other than a loose experimental one. Peppered with noise, avant-garde, industrial, and post-doom/rock influences, this is music that largely belongs to the artist alone and defies easy categorisation. Continue reading “LINGUA IGNOTA – CALIGULA (Review)”
Burial in the Woods is a one man blackened doom band, and this is his debut album.
Brought to us by the mastermind behind Asche der Welten, this new project’s debut release features four tracks in total. The first three each clock in at 7-9 minutes each, while the last is an imposing 24 minutes. At 49 minutes in total, Church of Dagon is a diverse and inventive listen, one which is definitely worth experiencing. Continue reading “Burial in the Woods – Church of Dagon (Review)”
Mammoth Storm are a Swedish doom metal band and this is their second album.
Now here’s an album I’ve been so looking forward to. 2015’s Fornjot was a stunning album, one which has stayed with me over the years as an exemplar of heaviness and melodic might. Continue reading “Mammoth Storm – Alruna (Review)”
This is the fourth album from US doom band Flesh of the Stars.
On both Hide and Anhilla Flesh of the Stars impressed me with their emotive brand of doom metal, and their progression over time. Now the band are back with this latest album that features 48 minutes of new material. Continue reading “Flesh of the Stars – Mercy (Review)”
Slomatics are a doom metal band from the UK and this is their sixth album.
We know Slomatics from 2016’s superb Future Echo Returns, and more recently from their equally superb split with Mammoth Weed Wizard Bastard. Continue reading “Slomatics – Canyons (Review)”
Pelican are a post-metal band from the US and this is their sixth album.
Pelican play an instrumental post-rock/metal hybrid, and have been crafting affecting and enjoyable material for 18 years at this point. As their first new album in six years, I think it’s fair to say that Nighttime Stories has been greatly anticipated by fans of the band’s work. Continue reading “Pelican – Nighttime Stories (Review)”