This is the fourth album from Australian death metal band Werewolves.
Following quickly on the heels of last year’s From the Cave to the Grave, Werewolves have returned with My Enemies Look and Sound Like Me, which boasts 34 minutes of lean and muscular new material. Continue reading “Werewolves – My Enemies Look and Sound Like Me (Review)”
This is the fifth album from US deathcore/death metal band Signs of the Swarm.
It’s always good to have some new Signs of the Swarm, as the band haven’t disappointed me yet. 2017’s The Disfigurement of Existence, 2019’s Vital Deprivation, and 2021’s Absolvere were all crushing slabs of heaviness, and the 42 minutes of new material on Amongst the Low & Empty is no exception. Having said that, it’s not completely business as usual either, and Signs of the Swarm have produced their best work so far. Continue reading “Signs of the Swarm – Amongst the Low & Empty (Review)”
This is the debut album from US death/sludge metallers Thra.
Forged in Chaotic Spew is an ugly union of foul death metal and dirty sludge, which has resulted in a merciless 37 minutes of malevolent heaviness. If you’re into the dark underbelly of extreme music, then Thra have birthed a monster for you. Continue reading “Thra – Forged in Chaotic Spew (Review)”
Astralborne are a melodic death metal band from the US and this is their second album.
Featuring a member of Blood of the Prophets, Across the Aeons takes us on a 56-minute journey into cosmic melodic death metal, via 12 tracks, (including an In Flames cover). Continue reading “Astralborne – Across the Aeons (Review)”
Formless Oedon are from the Philippines and this is their debut album.
Streams of Rot is a 36-minute death metal album that drips with foul menace and grim old-school heaviness. Formless Oedon have produced an album of satisfying death metal horror. Continue reading “Formless Oedon – Streams of Rot (Review)”
Ageless Summoning are a death metal band from the UK and this is their debut album.
Featuring members of Abyssal, Inculcator, and Of Spire and Throne, Corrupting the Entempled Plane contains 49 minutes of ancient death metal that’s baleful and absolutely packed with evil riffs. Continue reading “Ageless Summoning – Corrupting the Entempled Plane (Review)”
The Zenith Passage are a death metal band from the US and this is their third album.
Well, it’s been a shockingly long time since the first album by The Zenith Passage – Solipsist was released in 2016, and a lot has happened since then. When it comes to the band themselves, they have now returned with an almost completely new lineup, which includes a bassist and singer who were both in The Faceless. So, across its 46 minutes of material, what does Datalysium have to offer us, and does it match up to the hype? Continue reading “The Zenith Passage – Datalysium (Review)”
Rannoch are a progressive death metal band from the UK and this is their third album.
Conflagrations offers a 52-minute journey into multifaceted music that falls somewhere between progressive death metal foundations and more ambitious extreme progressive metal proclivities. Bolstered by the percussive skills of the drummer of Ne Obliviscaris, Rannoch are a skilled band that have a clear vision for their brand of extreme music. Continue reading “Rannoch – Conflagrations (Review)”
This is the second album from US death metallers Outer Heaven.
I thoroughly enjoyed 2018’s Realms of Decay, and I can’t quite believe that it came out so long ago. Regardless, Outer Heaven are now back, and they have brought 46 minutes of shockingly good death metal with them. Continue reading “Outer Heaven – Infinite Psychic Depths (Review)”
This is the second album from Greek melodic death metallers Aetherian.
At Storm’s Edge contains 43 minutes of well-executed professional melodic death metal. Aetherian clearly know their style well, and have produced an enjoyable album that hits the spot nicely. Continue reading “Aetherian – At Storm’s Edge (Review)”
Wonderbox Metal 