Denominate are from Finland and play death metal. This is their debut album.
Here we have 43 minutes of progressive/technical death metal. Take some Carcass/Death influences and mix with something like Vital Remains…are you interested yet? You should be…
Denominate have a decent production that lends them a satisfying sound. The music itself is skilfully played with no lack of talent. Continue reading “Denominate – Those Who Beheld the End (Review)”
Human Vivisection are a death metal band from Belgium, this is their debut album.
This is brutal death metal replete with beatdowns and crushing groove; 35 minutes of brutality.
No matter how good an album like this actually is, (and some are certainly better than others), I still can’t help but always enjoy it to a point. The mindless brutality and lust for carnage that’s inherent in this kind of work is Continue reading “Human Vivisection – The Perpetual Gap (Review)”
This is the latest EP from these Swedish death metal legends. Paganizer are always a welcome listen.
Paganizer clearly aren’t messing around on this release. With four songs in just under 14 minutes, this is all about classic-styled Swedish death metal, played with the skill of veterans by the mastercrafters Continue reading “Paganizer – On the Outskirts of Hades (Review)”
This is the second album from Lord of War, a US death metal band.
On Suffer, Lord of War deliver 49 minutes of well-recorded modern death metal with enough strength and power to floor an elephant.
This is the kind of thing that should appeal to any of the death metal new guard, so fans of Whitechapel, Thy Art Is Murder, All Shall Perish, Molotov Solution, (the singer of which has a guest spot on this album), etc., Continue reading “Lord of War – Suffer (Review)”
This is the second album from Korpse, who are a death metal band from the Netherlands.
This is brutal death metal with a hearty slam component. The band have a powerful sound and really go for the kill.
Heavy riffs rain heavily like a downpour as the band do their absolute best to flatten you. Blast beats and pounding drums make for brutal companions as the band savagely try to attack everything in sight. Continue reading “Korpse – Unethical (Review)”
This is the début album from Tides of Sulfur, a death/sludge metal band from the UK.
Like The Dead, Tides of Sulfur combine death and sludge metal together into a hideous, swampy mass. Also like The Dead, it’s hard to know whether to categorise them as death metal or sludge metal. Essentially it doesn’t really matter, I suppose, as the band manage to provide a pretty good synthesis of the two on Extinction Curse.
This is heavy, heavy, heavy. Continue reading “Tides of Sulfur – Extinction Curse (Review)”
Temple Nightside are a blackened death metal band from Australia and this is their second album.
The first thing that attracted me to this album was the cover. Mysterious and ominous; the music naturally follows from this too. Also like the cover, the music is quite terrifying when you stop, really pay attention to it and let its dark atmospheres seep into you.
This is music that reeks of the bestial underground; the region that’s inhabited by Continue reading “Temple Nightside – The Hecatomb (Review)”
This is the début EP from this Indian blackened death metal band.
Think of bands like Behemoth and Belphegor – bands that combine the brutality of death metal with the occult malevolence of black metal. This is the world that Nogrod inhabit.
This is either black metal with a death metal influence, or blackened death metal, depending Continue reading “Nogrod – Abstruce Dismal (Review)”
This is the sixth album from Revocation, a US death/thrash metal band.
Revocation have been steadily building a solid reputation for themselves over the years, and when you look at their latest release it’s easy to see why.
Here we have a band that combines death metal, thrash metal, technicality and even a bit of Continue reading “Revocation – Great Is Our Sin (Review)”
This is the third album from this Brazlian death metal band.
This is death metal with its roots in the 90s scene, both in style and production. In fact, the recording on Indescribable Physiognomy of the Devil has a brutal charm all of its own. When combined with the music itself, this adds up to a pretty nice sounding album.
This may be of the old-school, but in other ways Continue reading “Coldblood – Indescribable Physiognomy of the Devil (Review)”
Wonderbox Metal 