Following on from the band’s crushing 2019 debut album The Hand of Violence, as well as this year’s EP Eternal, we now turn to their latest release. Containing 43 minutes of massively heavy music, Bound in Fear’s new album is thunderous and demolishing. Continue reading “Bound in Fear – Penance (Review)”
Full of heavy riffs and sick breakdowns, the music is actually relatively old-school as far as deathcore goes, although they still have a modern delivery mixed in. Continue reading “Funeral for the Masses – Pitch Black (Review)”
On Suffer, Lord of War deliver 49 minutes of well-recorded modern death metal with enough strength and power to floor an elephant.
This is the kind of thing that should appeal to any of the death metal new guard, so fans of Whitechapel, Thy Art Is Murder, All Shall Perish, Molotov Solution, (the singer of which has a guest spot on this album), etc., Continue reading “Lord of War – Suffer (Review)”
Manipulation play muscular Modern Death Metal with plenty of attack and some interesting twists to the standard formula.
Blast beats and chugging mid-paced carnage are the order of the day, but the band also throw in some unexpected atmospheric moments throughout, via the inclusion of melodic guitars, subtle keyboards, choral-like cleans, etc.
Add to this experimentalism some ultra-modern riffs and Deathcore influences and you have 44 minutes of engaging Extreme Metal, the likes of which Poland always seems to do so well.
The songs are well-written and, as mentioned previously, Manipulation aren’t afraid to experiment or try new things, which is great to hear. This edge of Progressive Metal is buried within their core sound, but really does add to their delivery. When these elements mix with blasting extremity or heavy grooves it all comes together very nicely indeed.
The vocalist has a passionate and dynamic growl that fits the music well, giving them the Death Metal anchoring they need as well as enough variety to move beyond this and into more emphatic territories.
Energetic brutality with a playful spin on the genre; this is really, really impressive.
With an album cover that lets you know exactly what the band are going to sound like, Abhorrent Deformity proceed to brutalise you with 35 minutes of powerful USDM for fans of Cannibal Corpse, Suffocation, Deeds of Flesh, Dying Fetus, Defeated Sanity, Severe Torture, etc., as well a s touch of a more modern approach to some of the riffs, somewhat akin to Molotov Solution.
Savagely deep grunts are unrelenting in their vocal attack. The singer has a classic Deathgrowl that’s quite satisfying and utterly guttural, (say that five times fast).
Entity of Malevolence is ugly, brutal, full of blast beats and has just enough chug-and-squeal to be pleasing without getting boring. I imagine that some may have had their fill of this style and might want more from a Death Metal band in 2015, but it’s hard to complain when the band stamp a boot on your throat and knife your insides.
These songs use a good combination of speed and heaviness with which to beat the listener into submission. It’s music that’s not for everyone by any means, but then Brutal Death Metal never is. If you favour the style though, Abhorrent Entity play it with a purity and honesty that I haven’t heard in quite a while.
Definitely one for all fans of brutality, everywhere.