This is the fourth album from Canadian black metallers Wormwitch.
New Wormwitch! I’m a bit behind on this one, but I couldn’t let it pass me by. Whether it’s 2019’s Heaven That Dwells Within, 2021’s Wolf Hex, or this year’s split with Sadistic Ritual, Wormwitch always deliver the goods. Continue reading “Wormwitch – Wormwitch (Review)”
This is the debut album from Norwegian black metallers Avmakt.
Satanic Inversion Of… contains 46 minutes of old-school second wave 90s black metal worship. Avmakt’s music uses the Darkthrone template extensively, yet somehow manages to avoid coming off as a cheap knockoff. How? Basically, it’s just a damn good album. Continue reading “Avmakt – Satanic Inversion Of… (Review)”
This is a split release between two Spanish death metal bands, Jade and Sanctuarium.
I do enjoy a good split. It’s an opportunity to check out new/old bands doing something outside of a full length, and I’ve found more than a few gems over the years by checking out such releases. Continue reading “Jade/Sanctuarium – The Sempiternal Wound – Split (Review)”
Me, miss a chance to see the mighty Nile once more? Especially as they’re touring on the back of the very strong The Underworld Awaits Us All? No way. So I once again find myself in the loving care of Rebellion for the evening, and tonight it’s all about the death metal. Continue reading “Nile/Hideous Divinity/Intrepid/Pestifer – Rebellion, Manchester – 10/09/24 (Live Review)”
Vafurlogi are a black metal band from Iceland and this is their debut album.
Í Vökulli Áþján contains 43 minutes of music and is brought to us by a current/ex-member of Sinmara and Svartidauði. Joined by a very capable drummer, (Beneath, Helfró, Ophidian I), Vafurlogi are a dark revelation that has long been threatening to spill over into reality, but now has. Continue reading “Vafurlogi – Í Vökulli Áþján (Review)”
Winterfylleth are a UK black metal band and this is their eighth album.
The Imperious Horizon is the 58-minute follow up to 2020’s The Reckoning Dawn. With a new guitarist in tow, (from Necronautical), how does Winterfylleth’s atmospheric black metal sound in 2024? Continue reading “Winterfylleth – The Imperious Horizon (Review)”
Agrypnie are a black metal band from Germany and this is their seventh album.
Erg contains 54 minutes of music, and is brought to us by members of The Negative Bias and Perchta, (as well as many others). Agrypnie’s music is of a high quality level, and Erg showcases the band in a good light throughout. Continue reading “Agrypnie – Erg (Review)”
This is the fifth album from Finnish black metallers Aethyrick.
I always have time for Aethyrick’s brand of black metal, so it’s great to have some new material from them in the form of the 43-minute Death Is Absent. If you’re unfamiliar with the band, then as well as this new album it’s also worth checking out 2018’s Praxis, 2020’s Gnosis, 2021’s Apotheosis, and 2022’s Pilgrimage. Aethyrick may have only been around since 2016, but they’re quite prolific. Continue reading “Aethyrick – Death Is Absent (Review)”
Firtan are a German black metal band and this is their fourth album.
Following on from 2022’s very enjoyable Marter, Ethos brings us 51 minutes of new material from Firtan. On this new album the band aren’t holding back. Continue reading “Firtan – Ethos (Review)”
This is the sixth album from US progressive metallers Oceans of Slumber.
After releasing two very well-received albums of progressive metal in 2018’s The Banished Heart and 2020’s self titled album, Oceans of Slumber surprised many by adopting more of a hard rock approach on 2022’s Starlight and Ash. Although ultimately I naturally prefer their heavier more metallic material, it was still an accomplished album worthy of anyone’s time. With new record Where Gods Fear to Speak now on the horizon, what do Oceans of Slumber bring us in 2024? Let’s find out. Continue reading “Oceans of Slumber – Where Gods Fear to Speak (Review)”
Wonderbox Metal 